A work in constant progress (and occasional regress).
Birthplace:
Fremantle, Western Australia, Australia
Born:
March 5, 1981
Jeremy Joseph ("JJ") DeCeglie (born c. 1981) is a writer/film-maker from Fremantle, Western Australia. Literary Work DeCeglie's first work was the independently published novella the sea is not yet full in 2005. This was followed up by the short story collection In the Same Streets You'll Wander Endlessly in 2008. In 2010, Fontaine Press published Damned Good, a philosophical poker novel. Damned Good was named Australia's first poker novel by Poker News. A novella Ennui and Despair, was published in September 2010 by Olympia Press. Drawing Dead, a neo-noir novel was independently published in 2011. It was re-issued by Fahrenheit Press in 2017. Film career In 2013, Jugular, DeCeglie's first feature film (writer/director/producer) premiered at the Melbourne Underground Film Festival on Opening Night, where it won Best Film, Best Director and Best Actor (Gregory Pakis). The film was shot with a one-man crew in Melbourne and had a budget of around $6000. The film also screened at MonsterFest later in the year. His second feature film (writer/director/producer), the comedy Can't Win. Do Try, premiered at CineFestOz in 2016. The film was awarded Best Director and Best Actor (Matt Furlani) at the Melbourne Underground Film Festival 2017 and also screened at the Madrid International Film Festival, where Adriane Daff was nominated as Best Actress.
Director:
2014 Jugular
2016 Can't Win. Do Try.
Editor:
2014 Jugular
2016 Can't Win. Do Try.
Producer:
2014 Jugular
2016 Can't Win. Do Try.
Writer:
2014 Jugular
2016 Can't Win. Do Try.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.