A work in constant progress (and occasional regress).
Paul Trewartha is a documentary editor known for The Sparks Brothers (2021) Produced by Nira Park, George Hencken and directed by Edgar Wright. The film was longlisted for the 2022 BAFTA award for Best Documentary, it won five other major awards and was nominated for a further 26. It is Certified Fresh on Rotten Tomatoes with a score of 95%. Branson (2022) produced and directed by Chris Smith for HBO. Kipchoge: The Last Milestone (2021) Exec. produced by Ridley Scott and Kevin Macdonald, produced by Ross Plummer and directed by Jake Scott for Universal Pictures. Ronnie's (2020) Produced by Eric Woollard-White, Kirsty Bell and directed by Oliver Murray which premiered at DOCNYC in 2020 and Ferrari: Race to Immortality (2017) Produced by Julia Taylor-Stanley and directed by Daryl Goodrich for Universal Pictures which premiered at the 12th Rome Film Fest.
Editor:
2010 The Making of 'Scott Pilgrim vs. the World'
2013 Table Manners
2017 Baby Driver
2017 Ferrari: Race to Immortality
2018 Floor 9.5
2021 Kipchoge: The Last Milestone
2021 Make It or Die Trying: The Frank Warren Story
2021 The Sparks Brothers
2025 Don't Die: The Man Who Wants to Live Forever
2025 Kerouac's Road: The Beat of a Nation
Visual Effects:
2010 The Making of 'Scott Pilgrim vs. the World'
2013 Table Manners
2017 Baby Driver
2017 Ferrari: Race to Immortality
2018 Floor 9.5
2021 Kipchoge: The Last Milestone
2021 Make It or Die Trying: The Frank Warren Story
2021 The Sparks Brothers
2025 Don't Die: The Man Who Wants to Live Forever
2025 Kerouac's Road: The Beat of a Nation
Editor:
2022 Branson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.