A work in constant progress (and occasional regress).
Cyrille Phipps, has been a media educator and video documentary maker for almost twenty years. She received a B.F.A. in Film Drama from Syracuse University and M.A. in Media Studies from The New School University. She was a Video Producer for Volume.com, where she was responsible for developing a comprehensive vision for video usage throughout the entire site. Before joining Volume.com, she was a Coordinator/Instructor for the Education and Outreach department at Manhattan Neighborhood Network, the largest public access facility in the country. She returned to Manhattan Neighborhood Network to serve as the Director of Production Services. Then served as the Interim Executive Director and soon after was promoted to Managing Director of Access Services. Recently, she was the Senior Editor of Post Production at TV Land Online, where she oversees all post-production for web-broadcast. She has taught undergrad and grad classes at CUNY's City College, The School for Visual Arts and the Brooklyn Campus of Long Island University. In addition to working as an Adjunct at John Jay College this Spring, she is also an Adjunct Professor at Essex County College in Newark, New Jersey. Working in film and video, she has collaborated on various documentaries that have aired on PBS, TNT and the BBC. She was the co-founder of Black Planet Productions, which produced the award winning grassroots series Not Channel Zero- the revolution, televised. As a member of this collective, she co-produced a number of critically acclaimed documentaries including, “Black Womyn, Sexual Politics and the Revolution.” She also produced and directed a number of documentaries and community-oriented programs dealing with issues such as AIDS, homophobia, sexism and racism. As a producer, videographer and editor, she has received several awards such as The BRIO Award from the Bronx Council of the Arts, an Honorable Mention at the National Black Programming Consortium's Annual International Video and Film Award for “Respect is Due”. She's also received Third Place in Non- Fiction at the SONY Visions of U.S. video competition for “Black Womyn, Sexual Politics and the Revolution.” She was the recipient of a Fellowship Award from the New York Foundation for the Arts. Much of her work has been featured in national and international festivals from New York to Hong Kong. Currently, she is serving as the Producer/Director for "Seen, But Not Heard: AIDS and the Untold War Against Black Women", a documentary addressing AIDS among women of color.
Camera Operator:
1992 Black Women, Sexual Politics and the Revolution
Director:
1991 Respect is Due
1992 Black Women, Sexual Politics and the Revolution
1992 Our House: Gays and Lesbians in the Hood
1993 Sacred Lies, Civil Truths
1995 Mumia Abu-Jamal: Facing the Death Penalty
Editor:
1991 Respect is Due
1992 Black Women, Sexual Politics and the Revolution
1992 Our House: Gays and Lesbians in the Hood
1993 Sacred Lies, Civil Truths
1995 Mumia Abu-Jamal: Facing the Death Penalty
Executive Producer:
1991 Respect is Due
1992 Black Women, Sexual Politics and the Revolution
1992 Our House: Gays and Lesbians in the Hood
1993 Sacred Lies, Civil Truths
1995 Mumia Abu-Jamal: Facing the Death Penalty
Producer:
1991 Respect is Due
1992 Black Women, Sexual Politics and the Revolution
1992 Our House: Gays and Lesbians in the Hood
1993 Sacred Lies, Civil Truths
1995 Mumia Abu-Jamal: Facing the Death Penalty
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.