A work in constant progress (and occasional regress).
Grant Conversano is a queer filmmaker from Concord, North Carolina. In 2023 they were featured in BK Magazine's 50 Most Fascinating People of Brooklyn. They are a graduate of the University of North Carolina School of the Arts Film Directing program and are an alum of the Telluride Film Festival Student Symposium. Their short films have played at the Austin Film Festival, The Denver Film Festival, RiverRun International Film Festival, The Davey Fest, NFFTY, and the Fantasia Film Festival.
Associate Producer:
2024 How I Faked My Life with AI
Casting:
2019 Interstate 8
2024 How I Faked My Life with AI
Cinematography:
2019 Interstate 8
2021 Father, Can't You See I'm Burning?
2022 We Want Faces So Bad
2024 How I Faked My Life with AI
Director:
2016 The Merrybell Motel
2017 Pigeonhearts
2017 Where Mothbloods Bloom
2019 Alma
2019 Interstate 8
2020 The Procession
2021 Father, Can't You See I'm Burning?
2022 We Want Faces So Bad
2024 How I Faked My Life with AI
2024 Summer's End
Editor:
2016 The Merrybell Motel
2017 Pigeonhearts
2017 Where Mothbloods Bloom
2019 Alma
2019 Interstate 8
2020 The Procession
2021 Father, Can't You See I'm Burning?
2022 We Want Faces So Bad
2024 How I Faked My Life with AI
2024 Summer's End
Producer:
2016 The Merrybell Motel
2017 Pigeonhearts
2017 Where Mothbloods Bloom
2019 Alma
2019 Interstate 8
2020 The Procession
2021 Father, Can't You See I'm Burning?
2022 We Want Faces So Bad
2024 How I Faked My Life with AI
2024 Summer's End
Writer:
2016 The Merrybell Motel
2017 Pigeonhearts
2017 Where Mothbloods Bloom
2019 Alma
2019 Interstate 8
2020 The Procession
2021 Father, Can't You See I'm Burning?
2022 We Want Faces So Bad
2024 How I Faked My Life with AI
2024 Summer's End
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.