Elaine McMillion Sheldon

Birthplace:
Abingdon, Virginia, USA

Elaine McMillion Sheldon is an Academy Award-nominated, Peabody-winning, and two-time Emmy-winning documentary filmmaker from Logan County, West Virginia. Her films explore life in Appalachia through personal and political lenses, covering topics such as coal’s cultural legacy, the opioid crisis, rural deindustrialization, incarceration, and environmental justice.  Her latest feature documentary, KING COAL, premiered at the 2023 Sundance Film Festival and was named a New York Times Critics’ Pick and one of the year’s best documentaries by Esquire and Marie Claire. The film screened at over 40 international festivals, had a 50-city theatrical run, and aired nationally on PBS’ POV in 2024.  Sheldon directed two Netflix Original Documentaries, HEROIN(E) and RECOVERY BOYS, both focused on addiction and recovery in West Virginia. HEROIN(E) was nominated for a 2018 Academy Award and won a News & Documentary Emmy. Her other notable works include TUTWILER (PBS Frontline & The Marshall Project), COAL’S DEADLY DUST (Frontline & NPR), and the interactive project HOLLOW, which won a Peabody Award.  She is a Guggenheim Fellow, Creative Capital Awardee, USA Fellow, and was inducted into the Academy of Motion Picture Arts and Sciences in 2024. Her work has been supported by Field of Vision, The New York Times Op-Docs, TEDWomen, and others. She has appeared on The Daily Show, Meet the Press, and Anthony Bourdain: Parts Unknown.  Sheldon earned her B.S. in journalism from West Virginia University and her M.F.A. from Emerson College. She lives in West Virginia with her husband and collaborator Curren Sheldon, with whom she co-runs Grounded Theory, a creative studio rooted in the Appalachian Mountains.

Additional information:

The Search Form


Additional Camera:
2023  King Coal
2023  Troublesome Creek

Additional Photography:
2018  Phantom Cowboys
2023  King Coal
2023  Troublesome Creek

Boom Operator:
2018  Phantom Cowboys
2023  King Coal
2023  Troublesome Creek

Cinematography:
2018  Phantom Cowboys
2023  King Coal
2023  Troublesome Creek
????  Hollow

Co-Editor:
2018  Phantom Cowboys
2023  King Coal
2023  Troublesome Creek
????  Hollow

Co-Producer:
2018  Phantom Cowboys
2023  King Coal
2023  Troublesome Creek
????  Hollow

Director:
2013  West Virginia, Still Home
2017  11/8/16
2017  Heroin(e)
2017  TIMBERLINE
2018  Phantom Cowboys
2018  Recovery Boys
2019  Coal's Deadly Dust
2019  Tutwiler
2023  King Coal
2023  Troublesome Creek
????  Hollow
????  Mother Jones

Director of Photography:
2013  West Virginia, Still Home
2017  11/8/16
2017  Heroin(e)
2017  TIMBERLINE
2018  Phantom Cowboys
2018  Recovery Boys
2019  Coal's Deadly Dust
2019  Tutwiler
2023  King Coal
2023  Troublesome Creek
????  Hollow
????  Mother Jones

Editor:
2013  West Virginia, Still Home
2017  11/8/16
2017  Heroin(e)
2017  TIMBERLINE
2018  Phantom Cowboys
2018  Recovery Boys
2019  Coal's Deadly Dust
2019  Tutwiler
2023  King Coal
2023  Troublesome Creek
????  Hollow
????  Mother Jones

Producer:
2013  West Virginia, Still Home
2017  11/8/16
2017  Heroin(e)
2017  TIMBERLINE
2018  Phantom Cowboys
2018  Recovery Boys
2019  Coal's Deadly Dust
2019  Tutwiler
2023  King Coal
2023  Troublesome Creek
2024  Beat Down
????  Hollow
????  Mother Jones

Writer:
2013  West Virginia, Still Home
2017  11/8/16
2017  Heroin(e)
2017  TIMBERLINE
2018  Phantom Cowboys
2018  Recovery Boys
2019  Coal's Deadly Dust
2019  Tutwiler
2023  King Coal
2023  Troublesome Creek
2024  Beat Down
????  Hollow
????  Mother Jones

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.