A work in constant progress (and occasional regress).
Birthplace:
Abingdon, Virginia, USA
Elaine McMillion Sheldon is an Academy Award-nominated, Peabody-winning, and two-time Emmy-winning documentary filmmaker from Logan County, West Virginia. Her films explore life in Appalachia through personal and political lenses, covering topics such as coal’s cultural legacy, the opioid crisis, rural deindustrialization, incarceration, and environmental justice. Her latest feature documentary, KING COAL, premiered at the 2023 Sundance Film Festival and was named a New York Times Critics’ Pick and one of the year’s best documentaries by Esquire and Marie Claire. The film screened at over 40 international festivals, had a 50-city theatrical run, and aired nationally on PBS’ POV in 2024. Sheldon directed two Netflix Original Documentaries, HEROIN(E) and RECOVERY BOYS, both focused on addiction and recovery in West Virginia. HEROIN(E) was nominated for a 2018 Academy Award and won a News & Documentary Emmy. Her other notable works include TUTWILER (PBS Frontline & The Marshall Project), COAL’S DEADLY DUST (Frontline & NPR), and the interactive project HOLLOW, which won a Peabody Award. She is a Guggenheim Fellow, Creative Capital Awardee, USA Fellow, and was inducted into the Academy of Motion Picture Arts and Sciences in 2024. Her work has been supported by Field of Vision, The New York Times Op-Docs, TEDWomen, and others. She has appeared on The Daily Show, Meet the Press, and Anthony Bourdain: Parts Unknown. Sheldon earned her B.S. in journalism from West Virginia University and her M.F.A. from Emerson College. She lives in West Virginia with her husband and collaborator Curren Sheldon, with whom she co-runs Grounded Theory, a creative studio rooted in the Appalachian Mountains.
Additional Camera:
2023 King Coal
2023 Troublesome Creek
Additional Photography:
2018 Phantom Cowboys
2023 King Coal
2023 Troublesome Creek
Boom Operator:
2018 Phantom Cowboys
2023 King Coal
2023 Troublesome Creek
Cinematography:
2018 Phantom Cowboys
2023 King Coal
2023 Troublesome Creek
???? Hollow
Co-Editor:
2018 Phantom Cowboys
2023 King Coal
2023 Troublesome Creek
???? Hollow
Co-Producer:
2018 Phantom Cowboys
2023 King Coal
2023 Troublesome Creek
???? Hollow
Director:
2013 West Virginia, Still Home
2017 11/8/16
2017 Heroin(e)
2017 TIMBERLINE
2018 Phantom Cowboys
2018 Recovery Boys
2019 Coal's Deadly Dust
2019 Tutwiler
2023 King Coal
2023 Troublesome Creek
???? Hollow
???? Mother Jones
Director of Photography:
2013 West Virginia, Still Home
2017 11/8/16
2017 Heroin(e)
2017 TIMBERLINE
2018 Phantom Cowboys
2018 Recovery Boys
2019 Coal's Deadly Dust
2019 Tutwiler
2023 King Coal
2023 Troublesome Creek
???? Hollow
???? Mother Jones
Editor:
2013 West Virginia, Still Home
2017 11/8/16
2017 Heroin(e)
2017 TIMBERLINE
2018 Phantom Cowboys
2018 Recovery Boys
2019 Coal's Deadly Dust
2019 Tutwiler
2023 King Coal
2023 Troublesome Creek
???? Hollow
???? Mother Jones
Producer:
2013 West Virginia, Still Home
2017 11/8/16
2017 Heroin(e)
2017 TIMBERLINE
2018 Phantom Cowboys
2018 Recovery Boys
2019 Coal's Deadly Dust
2019 Tutwiler
2023 King Coal
2023 Troublesome Creek
2024 Beat Down
???? Hollow
???? Mother Jones
Writer:
2013 West Virginia, Still Home
2017 11/8/16
2017 Heroin(e)
2017 TIMBERLINE
2018 Phantom Cowboys
2018 Recovery Boys
2019 Coal's Deadly Dust
2019 Tutwiler
2023 King Coal
2023 Troublesome Creek
2024 Beat Down
???? Hollow
???? Mother Jones
Director:
2021 My Love: Six Stories of True Love
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.