A work in constant progress (and occasional regress).
Filmmaker with a powerful striking force, Pierre-Luc Vaillancourt explores the ancient ruins at the borders of known worlds. All of his work is marked by an intense energy and hypnotic charge. His films and videos have been presented at the Zagreb Museum of Contemporary Art, Russia National Centre for Contemporary Arts, Lausanne Underground Film Festival, Kiev Foundation for Contemporary Art, Fylkingen, Bunkier Sztuki, Wro Art Center, Alchemy Film & Moving Image Festival and in many international festivals, museums and cinematheques. He was also invited to present his work at the St-Petersburg State University, Slovenska Kinoteka, Belarusian State University, Latvian Centre for Contemporary Art, Faculdade de Belas Artes da Universidade do Porto and at Moscow Studio of Individual Directing MIR.
Cinematography:
2005 Broken Flesh Ecstasy
2012 Dirty
Director:
2005 Broken Flesh Ecstasy
2011 La Nuit Obscure
2012 Dirty
2017 Ruins Rider
2018 Force Vitale
2018 Hypnagogia
2020 Raw Power
Director of Photography:
2005 Broken Flesh Ecstasy
2011 La Nuit Obscure
2012 Dirty
2017 Ruins Rider
2018 Force Vitale
2018 Hypnagogia
2020 Raw Power
Editor:
2005 Broken Flesh Ecstasy
2011 La Nuit Obscure
2012 Dirty
2017 Ruins Rider
2018 Force Vitale
2018 Hypnagogia
2020 Raw Power
Producer:
2005 Broken Flesh Ecstasy
2011 La Nuit Obscure
2012 Dirty
2017 Ruins Rider
2018 Force Vitale
2018 Hypnagogia
2020 Raw Power
Thanks:
2005 Broken Flesh Ecstasy
2009 Amer
2011 La Nuit Obscure
2012 Dirty
2017 Ruins Rider
2018 Force Vitale
2018 Hypnagogia
2020 Raw Power
Writer:
2005 Broken Flesh Ecstasy
2009 Amer
2011 La Nuit Obscure
2012 Dirty
2017 Ruins Rider
2018 Force Vitale
2018 Hypnagogia
2020 Raw Power
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.