A work in constant progress (and occasional regress).
Camera Operator:
2016 I Like It Here Inside My Mind. Don't Wake Me This Time.
2024 Everything is Normal
Director:
2005 The Strongest Of The Strange
2010 In Search of the Miraculous
2012 No Complies & Wallrides + Shuvits
2016 I Like It Here Inside My Mind. Don't Wake Me This Time.
2018 We Blew It At Some Point
2022 Last Resort AB - Alv's Angels
2022 Sounds Like You Guys Are Crushing It
2024 Everything is Normal
2024 I Don't Even Know How To F****ing Airwalk
Editor:
2005 The Strongest Of The Strange
2010 In Search of the Miraculous
2012 No Complies & Wallrides + Shuvits
2016 I Like It Here Inside My Mind. Don't Wake Me This Time.
2018 We Blew It At Some Point
2022 Last Resort AB - Alv's Angels
2022 Sounds Like You Guys Are Crushing It
2024 Everything is Normal
2024 I Don't Even Know How To F****ing Airwalk
Producer:
2005 The Strongest Of The Strange
2010 In Search of the Miraculous
2012 No Complies & Wallrides + Shuvits
2016 I Like It Here Inside My Mind. Don't Wake Me This Time.
2018 We Blew It At Some Point
2022 Last Resort AB - Alv's Angels
2022 Sounds Like You Guys Are Crushing It
2024 Everything is Normal
2024 I Don't Even Know How To F****ing Airwalk
Still Photographer:
2005 The Strongest Of The Strange
2010 In Search of the Miraculous
2012 No Complies & Wallrides + Shuvits
2016 I Like It Here Inside My Mind. Don't Wake Me This Time.
2018 We Blew It At Some Point
2022 Last Resort AB - Alv's Angels
2022 Sounds Like You Guys Are Crushing It
2024 Everything is Normal
2024 I Don't Even Know How To F****ing Airwalk
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.