Vinita Butt (b. 1937)

Gallery Unavailable

Alias:
Vinita Bhat
Yasmin

Birthplace:
Rawalpindi, British India

Born:
April 3, 1937

Born in Rawalpindi on April 3rd, 1937, of Hindu-English parentage, Vinita spent the first seven years of her life in Kashmir. Educated at various hill-station schools, Vini came to Bombay in November 1954, some time after she had done her Senior Cambridge in Bangalore. In Bangalore, she had been a member of the Bangalore Amateur Dramatic Society (the B.A.D.S.) and appeared on the stage in Tagore’s “Sacrifice” and one of J. B. Priestley’s plays.   It was in Bangalore that Guru Dutt first saw her and, struck by her good looks and vivacious personality, offered her a film contract. He took some photographs of her back with him to Bombay and then wrote to her, offering her a role. The terms were not exactly flattering and Vini and her mother soon forgot about the episode. In Bombay Vinita met Anwar Hussein, an old friend of the family, and, through him, Chandulal Shah who gave her a small role in “Oot Patang,” the film he was then making.  While working in “Oot Patang”, Vinita visited the Mehboob Studios where, once again she met Guru Dutt, who had gone on the floors with his film, “Mr. & Mrs. 55”. He offered Vinita the role of the Anglo-Indian office girl Julie and she accepted it.  At that time, Vinita’s screen name was Yasmin and her performance, according to the critics, displayed a confidence, ease and aplomb which enabled her to even steal scenes from the seasoned comedian Johnny Walker.  It was also at the Mehboob Studios that Vinita met Zul Vellani, who asked her to play Desdemona in a Theatre Group open-air presentation of “Othello.” This, indirectly, led to her next film contract. Alex D’Arcy, the Hollywood actor who came to India to star in Filmistan’s CinemaScope and Technicolor production, “Bombay Flight 417,” met her and was impressed by her.   Her film test, for which she was made up by her future husband, Jimmy Vining, was a great success and Vinita, now using her own name on the screen, landed the role of Rukhmini. She and Jimmy soon married.  (The above biography has been adapted from a Filmfare magazine interview in 1956, courtesy of Cineplot.com)

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.