A work in constant progress (and occasional regress).
Alias:
Iosu González Etxabe
ADR Recording Engineer:
2023 Foremost by Night
Foley Artist:
2020 Dar-Dar
2023 Foremost by Night
2023 Irati
Production Sound Mixer:
2020 Dar-Dar
2023 Between Krutxaltea and Urona
2023 Foremost by Night
2023 Irati
Sound:
2015 I Said I Would Never Talk About Politics
2020 Arzak, Since 1897
2020 Dar-Dar
2023 Between Krutxaltea and Urona
2023 Foremost by Night
2023 Irati
Sound Designer:
2015 I Said I Would Never Talk About Politics
2016 Oskara
2017 Late for Break Time
2018 Brown Castle
2018 Errementari: The Blacksmith and the Devil
2020 Arzak, Since 1897
2020 Dar-Dar
2022 Influencer
2023 Between Krutxaltea and Urona
2023 Foremost by Night
2023 Irati
2024 Replica
Sound Editor:
2011 Playing with Death
2015 I Said I Would Never Talk About Politics
2016 Oskara
2017 Late for Break Time
2018 Brown Castle
2018 Errementari: The Blacksmith and the Devil
2020 Arzak, Since 1897
2020 Dar-Dar
2022 Influencer
2022 The Border
2023 Between Krutxaltea and Urona
2023 Foremost by Night
2023 Irati
2024 Replica
Sound Mixer:
2011 Playing with Death
2015 I Said I Would Never Talk About Politics
2016 Oskara
2017 Late for Break Time
2018 Brown Castle
2018 Errementari: The Blacksmith and the Devil
2020 Arzak, Since 1897
2020 Dar-Dar
2022 Influencer
2022 The Border
2023 Between Krutxaltea and Urona
2023 Foremost by Night
2023 Irati
2024 Replica
Sound Re-Recording Mixer:
2011 Playing with Death
2015 I Said I Would Never Talk About Politics
2016 Oskara
2017 Late for Break Time
2018 Brown Castle
2018 Errementari: The Blacksmith and the Devil
2020 Arzak, Since 1897
2020 Dar-Dar
2022 Influencer
2022 The Border
2023 Between Krutxaltea and Urona
2023 Foremost by Night
2023 Irati
2024 Hondarrak
2024 Replica
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.