Luis Carlos de Alencar

Gallery Unavailable

Luis Carlos de Alencar is from Bahia, Brazil, lives in Rio de Janeiro, Brazil. Postgraduate in Cinema and Audiovisual Studies at M_EIA, from Cape Verde Art Institute; Postgraduate in Communications and Image from PUC-Rio; Graduated in Law from Universidade Federal da Bahia. Partner in the production company Couro de Rato, directed Contagem Regressiva (Countdown), which received an award in Rio WF 2016 for Best Documentary and Best Soundtrack, was also nominated for Best Script, was shown in several countries, received an honored mention in Festcine Amazonia and Best Documentary: 60 Seconds or Less Video Festival – Chestertown/ United States; directed the documentary Bombadeira (The pain of the beauty), taken to more than 30 national and foreign festivals and laureated with the award from RedeTrans - 10 years of Bombadeira, for the work contribution to the transexual community. Currently directs the feature film "Não é a primeira vez que lutamos pelo nosso amor", or as translated "It's not the first time we fight for our love", about the LGBT community and the military dictatorship; the short film "Homens Invisíveis" (Invisible Men), about transexual men and the prison system; and the ESPN series "Corpos Periféricos" (Peripheric Bodies). Worked as Assistant Director for 5 documentary series in several channels as Globosat – Canal HD+, TV Brasil, Canal Curta!, Canal Brasil, CineBrasil TV and in more than 50 jobs in several production companies in feature films, medium and short films.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.