Dominic Barlow

Birthplace:
Marlborough, England, UK

Dominic is an award-winning Executive Producer and Series Producer with over 25 years of experience in broadcast drama. Dominic has been Head of Drama and Executive Producer at two leading UK production companies, Darlow Smithson and Twenty Twenty Television where he originated and Executive Produced series such as Garlow’s Law for BBC1 and The Mill for Channel 4. His producing credits include Mr Selfridge for ITV, A Discovery of Witches for Sky 1, George Gently for BBC1, The Last Kingdom for BBC/Netflix and the Mallorca Files for BBC/ZDF/TVFrance/BritBox.

Additional information:

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Associate Producer:
1986  Casualty

Executive Producer:
1986  Casualty
2013  Privates
2013  The Crash
2025  Sherlock & Daughter

Line Producer:
1986  Casualty
2002  Spooks
2007  Meadowlands
2008  He Kills Coppers
2008  Mistresses
2013  Privates
2013  The Crash
2025  Sherlock & Daughter

Location Manager:
1973  Last of the Summer Wine
1986  Casualty
1997  Family Affairs
2000  Down to Earth
2002  Spooks
2007  Meadowlands
2008  He Kills Coppers
2008  Mistresses
2013  Privates
2013  The Crash
2025  Sherlock & Daughter

Producer:
1973  Last of the Summer Wine
1986  Casualty
1997  Family Affairs
2000  Down to Earth
2002  Spooks
2007  Meadowlands
2008  He Kills Coppers
2008  Inspector George Gently
2008  Mistresses
2009  Garrow's Law
2013  Mr Selfridge
2013  Privates
2013  The Crash
2013  The Mill
2015  The Last Kingdom
2018  A Discovery of Witches
2019  The Mallorca Files
2023  Rise of the Witches
2025  Sherlock & Daughter

Production Manager:
1973  Last of the Summer Wine
1986  Casualty
1987  The Ruth Rendell Mysteries
1997  Family Affairs
1999  Holby City
2000  Down to Earth
2002  Spooks
2007  Meadowlands
2008  He Kills Coppers
2008  Inspector George Gently
2008  Mistresses
2009  Garrow's Law
2013  Mr Selfridge
2013  Privates
2013  The Crash
2013  The Mill
2015  The Last Kingdom
2018  A Discovery of Witches
2019  The Mallorca Files
2023  Rise of the Witches
2025  Sherlock & Daughter

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.