A work in constant progress (and occasional regress).
Alias:
Dmitriy Kliminov
Дмитрий Климинов
Recording Supervision:
2016 Everything about Men
Sound:
2016 Everything about Men
2017 Nearest and Dearest
Sound Designer:
2016 Everything about Men
2017 Nearest and Dearest
2024 The House Ghost
Sound Director:
2014 Yes & Yes
2016 Everything about Men
2017 Nearest and Dearest
2019 Success
2022 In the Name of a Prank
2024 The House Ghost
Sound Re-Recording Mixer:
2014 Yes & Yes
2016 Everything about Men
2017 Guardians
2017 Nearest and Dearest
2019 Success
2022 In the Name of a Prank
2024 The House Ghost
Sound Supervisor:
2014 Yes & Yes
2016 Everything about Men
2017 Guardians
2017 Nearest and Dearest
2019 Success
2022 In the Name of a Prank
2024 The Buried Talent
2024 The House Ghost
Supervising Sound Editor:
2014 Yes & Yes
2016 Everything about Men
2017 Guardians
2017 Nearest and Dearest
2019 Success
2021 A Dog Named Palma
2021 Take a Hike, Vasya! Lost In Bali
2022 In the Name of a Prank
2024 The Buried Talent
2024 The House Ghost
Supervising Sound Effects Editor:
2014 Yes & Yes
2016 Everything about Men
2017 Guardians
2017 Nearest and Dearest
2019 Success
2021 A Dog Named Palma
2021 Not Like Dad
2021 Take a Hike, Vasya! Lost In Bali
2022 In the Name of a Prank
2024 The Buried Talent
2024 The House Ghost
Sound Re-Recording Mixer:
2022 Mutual Consent
Supervising Sound Editor:
2020 Dead Mountain: The Dyatlov Pass Incident
2022 Mutual Consent
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.