A work in constant progress (and occasional regress).
Audio Post Coordinator:
2010 Maria de Lourdes Pintasilgo
Music Sound Design and Processing:
2010 Embargo
2010 Maria de Lourdes Pintasilgo
Sound:
2005 Alvaro Cunhal
2010 Embargo
2010 Maria de Lourdes Pintasilgo
2017 Inside Hou8e
Sound Designer:
2005 Alvaro Cunhal
2008 Amália
2010 Embargo
2010 Maria de Lourdes Pintasilgo
2016 O Segredo das Pedras Vivas
2017 Inside Hou8e
Sound Mixer:
2005 Alvaro Cunhal
2008 Amália
2010 Embargo
2010 Maria de Lourdes Pintasilgo
2011 A Portuguese Film
2012 Le Pain Que Le Diable A Pétri
2016 O Segredo das Pedras Vivas
2017 Inside Hou8e
Sound Re-Recording Mixer:
2005 Alvaro Cunhal
2008 Amália
2008 O Tapete Voador
2010 Embargo
2010 Maria de Lourdes Pintasilgo
2011 A Portuguese Film
2012 Le Pain Que Le Diable A Pétri
2016 O Segredo das Pedras Vivas
2017 Inside Hou8e
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.