A work in constant progress (and occasional regress).
Alias:
Ansgar Schaefer
Ansgar Schäfer
Birthplace:
Worms, Germany
Born:
May 15, 1959
Ansgar Schaefer is an integrated researcher at the Institute of Contemporary History of the Faculty of Social Sciences at Universidade NOVA de Lisboa. At the same time, he works as a screenwriter, producer and director of cinematographic documentaries In 1986, he graduated in Political and Germanic Sciences from the University of Trier (Germany), having held in 2002 a master's degree in Contemporary History at the Faculty of Social Sciences at the NOVA University of Lisbon. He received his doctorate in 2014 at the same Faculty with a thesis on the interrelationship between History and Documentary Cinematography. His fields of research are the political, economic and social relations between Nazi Germany and the Estado Novo, as well as Cinema and History, especially in its discourse of the Colonial Empire in cinematographic documentary. He is currently deputy coordinator of a research project on forced workers in Nazi Germany of Portuguese nationality. He is co-founder of the production company Kintop where he has been involved as a producer and researcher in the production and pre-production of a dozen documentaries.
Co-Producer:
2012 Le Pain Que Le Diable A Pétri
Director:
2012 Le Pain Que Le Diable A Pétri
2021 Journey to the Sun
Editor:
2012 Le Pain Que Le Diable A Pétri
2021 Journey to the Sun
Producer:
2005 Still Life
2012 Le Pain Que Le Diable A Pétri
2016 O Segredo das Pedras Vivas
2017 Obscure Light
2018 strange-map
2019 Fordlandia Malaise
2021 Journey to the Sun
2022 Occupied Territories
2023 Soldier Nobre
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.