A work in constant progress (and occasional regress).
Birthplace:
Tirana, Albania
Gentian Koçi is a director, screenwriter and film producer from Tirana, Albania. His short films and documentaries have been selected and awarded in many festivals. He was internationally recognized for his documentary NOT A CARWASH, which world-premiered in official selection at Hot Docs International Documentary Film Festival, and was nominated for the Special Jury Award at Sheffield Doc/Fest, in 2012. In 2017, Gentian Koçi presented his first feature film DAYBREAK, which he wrote, directed and produced. DAYBREAK had the world premiere at Sarajevo International Film Festival in main competition, where the main actress was awarded Heart of Sarajevo - Best Actress. Since its world premiere, DAYBREAK has been selected in more than 50 important film festivals all over the world, gathering many awards and receiving very positive reviews from the most important specialized film magazines. DAYBREAK was the official Albanian submission for the Academy Awards - Oscars 2018. Gentian Koçi's second feature film A CUP OF COFFEE AND NEW SHOES ON, had its world premiere in the main competition at Tallinn Black Nights Film Festival (PÖFF) and was the official Albanian submission for the Academy Awards - Oscars 2023.
Cinematography:
2012 Not A Carwash
Director:
2012 Not A Carwash
2018 Daybreak
2022 A Cup of Coffee and New Shoes On
Editor:
2012 Not A Carwash
2018 Daybreak
2022 A Cup of Coffee and New Shoes On
Producer:
2012 Not A Carwash
2018 Daybreak
2022 A Cup of Coffee and New Shoes On
Story:
2012 Not A Carwash
2018 Daybreak
2022 A Cup of Coffee and New Shoes On
Writer:
2012 Not A Carwash
2018 Daybreak
2022 A Cup of Coffee and New Shoes On
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.