A work in constant progress (and occasional regress).
Joel Schlemowitz is an experimental filmmaker based in Brooklyn who works in 16mm film, shadowplay, and stereographic media. He has recently completed his first feature film 78rpm, an experimental documentary about the gramophone. His short works have been shown at the Ann Arbor Film Festival, New York Film Festival, and Tribeca Film Festival and have received awards from the Chicago Underground Film Festival, The Dallas Video Festival, and elsewhere. Shows of installation artworks include Anthology Film Archives, and Microscope Gallery. He teaches experimental filmmaking at The New School and was recently the Resident Film Programmer and Arcane Media Specialist at the Morbid Anatomy Museum.
Assistant Sound Editor:
1997 Who's the Caboose?
Director:
1989 Rip
1990 Abrasions
1991 Film Poem
1991 Weeping Film
1991 we came... we filmed... we left...
1992 Birds of Prey
1992 Unmeasured Prelude for Kerry Laitala
1992 Übel
1993 Channeled Energies
1993 Poem for the Past
1993 When He Leaves
1994 Doris' Garden
1994 Morris Engel Time Sculpture
1994 Purple Candle Poem
1994 Tombeau for Arnold Eagle
1995 Angelbubble
1995 Filmpoem for Wanda Phipps
1995 Pillowbook
1996 Extemporized
1996 For Joe
1996 Weimar
1997 1734
1997 Eye Music
1997 Invitation to a Voyage
1997 Little Nothings
1997 Who's the Caboose?
1998 Bacchanale
1998 In the Orbit of Marie Menken
2000 Bagatelle Biologique
2001 All Saints Day
2001 All Saints Day II
2001 Boulder-Brooklyn
2001 Moving Images - The Film-Makers' Cooperative Relocates
2001 Reverie
2001 Typeoclavecin Film - Variations on the Blues for JoJo #10
2001 morning poem #40
2002 Bagatelle in Neon
2002 Fogg
2003 Birth of Eros
2003 Loudmouth Collective
2007 40/4000
2007 Dame Darcy
2007 Silo
2007 Teslamania
2007 The Glowing Woman
2007 morning poem #38
2007 morning poem #43
2010 Victrola Cinema
2012 Scenes from a Visit to Japan
???? Jonas's loft
Sound Assistant:
1989 Rip
1990 Abrasions
1991 Film Poem
1991 Weeping Film
1991 we came... we filmed... we left...
1992 Birds of Prey
1992 Unmeasured Prelude for Kerry Laitala
1992 Übel
1993 Channeled Energies
1993 Poem for the Past
1993 When He Leaves
1994 Doris' Garden
1994 Morris Engel Time Sculpture
1994 Purple Candle Poem
1994 The Search for One-eye Jimmy
1994 Tombeau for Arnold Eagle
1995 Angelbubble
1995 Filmpoem for Wanda Phipps
1995 Pillowbook
1996 Extemporized
1996 For Joe
1996 Weimar
1997 1734
1997 Eye Music
1997 Invitation to a Voyage
1997 Little Nothings
1997 Who's the Caboose?
1998 Bacchanale
1998 In the Orbit of Marie Menken
2000 Bagatelle Biologique
2001 All Saints Day
2001 All Saints Day II
2001 Boulder-Brooklyn
2001 Moving Images - The Film-Makers' Cooperative Relocates
2001 Reverie
2001 Typeoclavecin Film - Variations on the Blues for JoJo #10
2001 morning poem #40
2002 Bagatelle in Neon
2002 Fogg
2003 Birth of Eros
2003 Loudmouth Collective
2007 40/4000
2007 Dame Darcy
2007 Silo
2007 Teslamania
2007 The Glowing Woman
2007 morning poem #38
2007 morning poem #43
2010 Victrola Cinema
2012 Scenes from a Visit to Japan
???? Jonas's loft
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.