Joel Schlemowitz

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Joel Schlemowitz is an experimental filmmaker based in Brooklyn who works in 16mm film, shadowplay, and stereographic media. He has recently completed his first feature film 78rpm, an experimental documentary about the gramophone. His short works have been shown at the Ann Arbor Film Festival, New York Film Festival, and Tribeca Film Festival and have received awards from the Chicago Underground Film Festival, The Dallas Video Festival, and elsewhere. Shows of installation artworks include Anthology Film Archives, and Microscope Gallery. He teaches experimental filmmaking at The New School and was recently the Resident Film Programmer and Arcane Media Specialist at the Morbid Anatomy Museum.

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Assistant Sound Editor:
1997  Who's the Caboose?

Director:
1989  Rip
1990  Abrasions
1991  Film Poem
1991  Weeping Film
1991  we came... we filmed... we left...
1992  Birds of Prey
1992  Unmeasured Prelude for Kerry Laitala
1992  Übel
1993  Channeled Energies
1993  Poem for the Past
1993  When He Leaves
1994  Doris' Garden
1994  Morris Engel Time Sculpture
1994  Purple Candle Poem
1994  Tombeau for Arnold Eagle
1995  Angelbubble
1995  Filmpoem for Wanda Phipps
1995  Pillowbook
1996  Extemporized
1996  For Joe
1996  Weimar
1997  1734
1997  Eye Music
1997  Invitation to a Voyage
1997  Little Nothings
1997  Who's the Caboose?
1998  Bacchanale
1998  In the Orbit of Marie Menken
2000  Bagatelle Biologique
2001  All Saints Day
2001  All Saints Day II
2001  Boulder-Brooklyn
2001  Moving Images - The Film-Makers' Cooperative Relocates
2001  Reverie
2001  Typeoclavecin Film - Variations on the Blues for JoJo #10
2001  morning poem #40
2002  Bagatelle in Neon
2002  Fogg
2003  Birth of Eros
2003  Loudmouth Collective
2007  40/4000
2007  Dame Darcy
2007  Silo
2007  Teslamania
2007  The Glowing Woman
2007  morning poem #38
2007  morning poem #43
2010  Victrola Cinema
2012  Scenes from a Visit to Japan
????  Jonas's loft

Sound Assistant:
1989  Rip
1990  Abrasions
1991  Film Poem
1991  Weeping Film
1991  we came... we filmed... we left...
1992  Birds of Prey
1992  Unmeasured Prelude for Kerry Laitala
1992  Übel
1993  Channeled Energies
1993  Poem for the Past
1993  When He Leaves
1994  Doris' Garden
1994  Morris Engel Time Sculpture
1994  Purple Candle Poem
1994  The Search for One-eye Jimmy
1994  Tombeau for Arnold Eagle
1995  Angelbubble
1995  Filmpoem for Wanda Phipps
1995  Pillowbook
1996  Extemporized
1996  For Joe
1996  Weimar
1997  1734
1997  Eye Music
1997  Invitation to a Voyage
1997  Little Nothings
1997  Who's the Caboose?
1998  Bacchanale
1998  In the Orbit of Marie Menken
2000  Bagatelle Biologique
2001  All Saints Day
2001  All Saints Day II
2001  Boulder-Brooklyn
2001  Moving Images - The Film-Makers' Cooperative Relocates
2001  Reverie
2001  Typeoclavecin Film - Variations on the Blues for JoJo #10
2001  morning poem #40
2002  Bagatelle in Neon
2002  Fogg
2003  Birth of Eros
2003  Loudmouth Collective
2007  40/4000
2007  Dame Darcy
2007  Silo
2007  Teslamania
2007  The Glowing Woman
2007  morning poem #38
2007  morning poem #43
2010  Victrola Cinema
2012  Scenes from a Visit to Japan
????  Jonas's loft

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.