Ricardo Preto

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Art Direction:
2009  Crime Abyss Blue Physical Remorse
2011  Tamed
2012  Low Tide
2012  Tavern Man
2013  The Imperfect Cradle
2017  Lovers on Borders
2019  Quantic Love
2020  Surdine
2023  The Nothingness Club
2024  A pedra sonha dar flor
2024  Light Was a Break

Production Design:
2007  Tebas
2009  Crime Abyss Blue Physical Remorse
2011  Tamed
2012  Hay Road
2012  Low Tide
2012  Tavern Man
2013  3x3D
2013  The Imperfect Cradle
2015  A Caverna
2017  Lovers on Borders
2017  O dia em que as cartas pararam
2017  Porto
2019  Quantic Love
2020  Surdine
2023  The Nothingness Club
2024  A pedra sonha dar flor
2024  Light Was a Break
2024  The Worst Man in London

Set Decoration:
2007  Tebas
2009  Crime Abyss Blue Physical Remorse
2009  The Invisible Collection
2011  Tamed
2012  Hay Road
2012  Low Tide
2012  Tavern Man
2013  3x3D
2013  The Imperfect Cradle
2015  A Caverna
2017  Lovers on Borders
2017  O dia em que as cartas pararam
2017  Porto
2019  Quantic Love
2020  Surdine
2023  The Nothingness Club
2024  A pedra sonha dar flor
2024  Light Was a Break
2024  The Worst Man in London

Set Designer:
2007  Tebas
2009  Crime Abyss Blue Physical Remorse
2009  The Invisible Collection
2011  Tamed
2012  Hay Road
2012  Low Tide
2012  Tavern Man
2013  3x3D
2013  The Imperfect Cradle
2015  A Caverna
2017  Lovers on Borders
2017  O dia em que as cartas pararam
2017  Porto
2019  Quantic Love
2020  Down by Life
2020  Surdine
2023  The Nothingness Club
2024  A pedra sonha dar flor
2024  Light Was a Break
2024  The Worst Man in London

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.