Kateryna Korchynska (b. 1990)

Birthplace:
Crimea, Ukrainian SSR, USSR

Born:
December 20, 1990

Kateryna Korchynska (born December 20, 1990, in Ukraine) is an actress, producer, and cinematographer known for her work in independent films, particularly within the horror and thriller genres.  Korchynska's passion for film led her to begin her professional journey in 2016. She gained experience working on various independent short films and television shows, building a foundation for her career.  Her breakthrough came in 2017 when she secured her first feature film role in "The Wicked Gift" (2017). Later that same year, she achieved her first leading role in the feature film "Die in One Day" (2017). These early roles helped establish her presence in the independent film scene.  In "The Demon's Child" (released in 2021/2022), Korchynska delivered a notable performance as Dora/Nora. This horror-mystery-thriller showcased her talent in portraying complex characters within suspenseful narratives.  Beyond "The Demon's Child," Kateryna Korchynska has a growing filmography that includes:"Bloody Trip: The Equinox Killer" (2024), "Clownery" (2020), "Road to Hell" (2018), "Applausi" (Short, 2021).  In addition to her acting career, Kateryna has also actively worked behind the camera. She began her journey as a producer in August 2017 and has since contributed to the development of numerous projects, including "The Demon's Child." Furthermore, she has credits as a cinematographer on projects such as "Bloody Trip: The Equinox Killer" (2024) and "Clownery" (2020).  Demonstrating her commitment to the film industry, Kateryna co-founded Vertex Entertainment in 2020 with Eros D'Antona. In 2023, they further expanded their endeavors by establishing a new production company, Funny Dreamers, in Canada.  Fluent in English, Russian, and Italian, Kateryna Korchynska continues to contribute to the world of cinema both in front of and behind the camera, establishing herself as a versatile and dedicated filmmaker.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.