A work in constant progress (and occasional regress).
Birthplace:
Matsuyama, Japan
Born:
October 3, 1908
Died:
May 26, 1997
Masao Tamai was a Japanese cinematographer know for his work on the films of Mikio Naruse and the original Godzilla.
Cinematography:
1937 Yoru no hato
1939 Numazu Officer School
1951 Swords and Brocade
1952 Shanghai Rose
1953 The Blue Revolution
1954 君死に給うことなかれ
1955 (Street of Wandering Pigeons) When Will the Birds Come Home
1955 To Love and Forgive
1959 社長太平記
1961 Toilet Manager
Director of Photography:
1935 Bored Hatamoto Judges 100,000-koku
1935 Bored Hatamoto on the Nakasendo
1937 Nangoku taiheiki
1937 Yoru no hato
1939 Numazu Officer School
1949 Delinquent Girl
1950 The Angry Street
1950 White Beast
1951 Beyond Love and Hate
1951 Repast
1951 Swords and Brocade
1951 The Lady of Musashino
1952 Shanghai Rose
1952 Third Class Executives
1953 The Blue Revolution
1953 The Lovers
1953 Wife
1954 Godzilla
1954 Late Chrysanthemums
1954 Sound of the Mountain
1954 君死に給うことなかれ
1955 (Street of Wandering Pigeons) When Will the Birds Come Home
1955 Floating Clouds
1955 No Time for Tears
1955 Stray Sheep
1955 To Love and Forgive
1956 A Wife's Heart
1956 Flowing
1956 Godzilla, King of the Monsters!
1956 Sudden Rain
1957 Godzilla, the Monster of the Pacific Ocean
1957 Hadaka no Machi
1957 Tokyo 1960
1957 Untamed Woman
1958 Little Peach
1958 Summer Clouds
1959 A Whistle in My Heart
1959 社長太平記
1960 The Twilight Story
1960 When a Woman Ascends the Stairs
1961 Different Sons
1961 Happiness of Us Alone
1961 Toilet Manager
1962 Chihō kisha
1977 Godzilla
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.