A work in constant progress (and occasional regress).
Alias:
Veronique Lagoarde-Segot
Véronique Lagoarde Ségot
Véronique Lagoarde-Ségot graduated in 1994 from the Film School of Biarritz with a major in editing. She specializes in historical and political documentary, and has edited over sixty films. In 2012 she edited Five Broken Cameras, nominated for an Academy Award and winner of the International Emmy Award. She followed with Braddock America, which premiered at the Cannes Film Festival. In 2013, she co-directed the docudrama The Curse of Edgar, about John Edgar Hoover. In 2014, she directed her first documentary, Shoah, the Forgotten Souls of History, which won the award for Best Film in Toronto.
Development Producer:
2022 Innocence
Director:
2015 Shoah, les oubliés de l'histoire
2022 Innocence
Editor:
2006 Grace Kelly: Destiny of a Princess
2013 Des Murs et des Hommes
2013 The Curse of Edgar
2014 Braddock America
2015 Le Dernier Gaulois
2015 Shoah, les oubliés de l'histoire
2016 Buster Keaton: The Genius Destroyed by Hollywood
2018 Amal
2018 Josephine Baker: The Story of an Awakening
2018 The Scientist, The Imposter and Stalin: How to Feed the People
2022 Innocence
Writer:
2006 Grace Kelly: Destiny of a Princess
2013 Des Murs et des Hommes
2013 The Curse of Edgar
2014 Braddock America
2015 Le Dernier Gaulois
2015 Shoah, les oubliés de l'histoire
2016 Buster Keaton: The Genius Destroyed by Hollywood
2018 Amal
2018 Josephine Baker: The Story of an Awakening
2018 The Scientist, The Imposter and Stalin: How to Feed the People
2022 Innocence
Creator:
2023 1942, un monde en guerre
Director:
2023 1942, un monde en guerre
Editor:
2020 Decolonisation
2023 1942, un monde en guerre
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.