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Haruka Komori (b. 1989)

Alias:
Komori Haruka
小森はるか

Birthplace:
Shizuoka, Japan

Born:
January 1, 1989

Biography from TheMovieDB

Born in 1989 in Shizuoka, Japan. Graduated with graduate degree from the Department of Intermedia Art, Tokyo University of the Arts. Completed the elementary course of study in Fiction at the Film School of Tokyo. Komori’s work as a volunteer in east Japan after the Great East Japan Earthquake led her to start up artistic activities with artist/ writer Seo Natsumi. In 2012, Komori moved her base of activity to Rikuzentakata in Iwate, where she visually records the people’s stories, lives, and local scenery. She moved to Sendai in 2015. She is now a member of the general incorporated association NOOK. Her main works include Nami no Shita, Tsuchi no Ue (2014, a collaboration with Seo Natsumi), Iki no Ato (2016), and Sora ni Kiku (2018).

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Additional information:

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Film Production

Cinematography:
2012  the place named
2014  Under the Wave, On the Ground
2020  Listening To The Air
2021  Double Layered Town / Making a Song to Replace Our Positions
2023  Radio Shimo-kajiro—The Songs That Led Us Here Today

Director:
2012  the place named
2014  Under the Wave, On the Ground
2017  Trace of Breath
2020  Listening To The Air
2021  Double Layered Town / Making a Song to Replace Our Positions
2021  Kage wo hirou
2023  Radio Shimo-kajiro—The Songs That Led Us Here Today

Editor:
2012  the place named
2014  Under the Wave, On the Ground
2017  Trace of Breath
2020  Listening To The Air
2021  Double Layered Town / Making a Song to Replace Our Positions
2021  Kage wo hirou
2023  Radio Shimo-kajiro—The Songs That Led Us Here Today

Writer:
2012  the place named
2014  Under the Wave, On the Ground
2017  Trace of Breath
2020  Listening To The Air
2021  Double Layered Town / Making a Song to Replace Our Positions
2021  Kage wo hirou
2023  Radio Shimo-kajiro—The Songs That Led Us Here Today

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.