Angela M. Catanzaro

Angela Catanzaro is a Los Angeles-based Emmy and Eddie Award-nominated editor who works in both television and feature films. Angela is a member of The Academy of Television Arts & Sciences, the Motion Picture Editors Guild, American Cinema Editors, and serves on the editing faculty at the American Film Institute.  Information above via their homepage.

Additional information:

The Search Form


Assistant Editor:
2001  Tortilla Soup
2002  Teddy Bears' Picnic
2003  Indigo
2003  Loco Love
2003  Twelve Mile Road
2004  Love Object
2004  This Girl's Life
2005  Hitch
2005  Wheelmen

Assistant Sound Editor:
1999  Maid of Honor
2001  Tortilla Soup
2002  K-9: P.I.
2002  Men in Black II
2002  Teddy Bears' Picnic
2003  Indigo
2003  Loco Love
2003  Twelve Mile Road
2004  Love Object
2004  This Girl's Life
2005  Hitch
2005  Wheelmen

Editor:
1999  Maid of Honor
2001  Tortilla Soup
2002  K-9: P.I.
2002  Men in Black II
2002  Teddy Bears' Picnic
2003  Indigo
2003  Loco Love
2003  Twelve Mile Road
2004  Love Object
2004  This Girl's Life
2005  Hitch
2005  Wheelmen
2008  Vacancy 2: The First Cut
2010  Smokin' Aces 2: Assassins' Ball
2017  The Foreigner
2018  Salvage
2019  Five Feet Apart
2021  The Protégé
2022  Prey
2025  Thunderbolts*

Foley Artist:
1999  Maid of Honor
2001  Tortilla Soup
2002  For Da Love of Money
2002  K-9: P.I.
2002  Men in Black II
2002  Teddy Bears' Picnic
2003  Indigo
2003  Loco Love
2003  Twelve Mile Road
2004  Love Object
2004  This Girl's Life
2005  Hitch
2005  Wheelmen
2008  Vacancy 2: The First Cut
2010  Smokin' Aces 2: Assassins' Ball
2017  The Foreigner
2018  Salvage
2019  Five Feet Apart
2021  The Protégé
2022  Prey
2025  Thunderbolts*

Sound Effects Editor:
1999  Maid of Honor
2001  Tortilla Soup
2002  For Da Love of Money
2002  K-9: P.I.
2002  Men in Black II
2002  Teddy Bears' Picnic
2003  Indigo
2003  Loco Love
2003  Twelve Mile Road
2004  Love Object
2004  This Girl's Life
2005  Hitch
2005  Wheelmen
2008  Vacancy 2: The First Cut
2010  Smokin' Aces 2: Assassins' Ball
2017  The Foreigner
2018  Salvage
2019  Five Feet Apart
2021  The Protégé
2022  Prey
2025  Thunderbolts*

Assistant Editor:
2002  The Shield

Editor:
2002  The Shield
2006  Friday Night Lights
2010  Parenthood
2011  Suits
2012  Last Resort
2015  Code Black
2015  The Man in the High Castle
2016  The Path
2018  Rise
2020  Away
2022  As We See It
2022  Killing It
2023  Dear Edward

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.