A work in constant progress (and occasional regress).
Alias:
Charles C. 'Bud' Lawton
Charles Lawton
Birthplace:
Los Angeles, California, USA
Born:
April 6, 1904
Died:
July 11, 1965
Cinematographer Charles Lawton Jr. was born on 6 April 1904 in Los Angeles, California, USA. He was a cinematographer, known for The Lady from Shanghai (1947), 3:10 to Yuma (1957), A Raising in the Sun (1961) and The Gallant Blade (1948). He was married to Irene Thompson.
Camera Operator:
1957 Operation Mad Ball
Cinematography:
1940 Andy Hardy Meets Debutante
1948 The Gallant Blade
1956 Full of Life
1957 Operation Mad Ball
Director of Photography:
1937 My Dear Miss Aldrich
1937 The King Without a Crown
1938 Bravest of the Brave
1938 Listen, Darling
1938 The Chaser
1939 Miracles for Sale
1939 Nick Carter, Master Detective
1939 The Giant of Norway
1940 Andy Hardy Meets Debutante
1940 Congo Maisie
1940 Dulcy
1940 Gold Rush Maisie
1940 Sky Murder
1941 Maisie Was a Lady
1941 More About Nostradamus
1941 Ringside Maisie
1941 The Big Store
1942 Eyes in the Night
1942 Famous Boners
1942 Fingers at the Window
1942 Further Prophecies of Nostradamus
1942 Joe Smith, American
1942 The Affairs of Martha
1942 The Vanishing Virginian
1942 This Time for Keeps
1943 Young Ideas
1944 3 Is a Family
1944 Abroad with Two Yanks
1944 See Here, Private Hargrove
1944 Up in Mabel's Room
1945 Brewster's Millions
1945 Getting Gertie's Garter
1945 Kiss and Tell
1946 Blondie Knows Best
1946 The Return of Monte Cristo
1946 The Thrill of Brazil
1946 The Walls Came Tumbling Down
1947 Her Husband's Affairs
1947 The Lady from Shanghai
1948 I Love Trouble
1948 The Black Arrow
1948 The Gallant Blade
1948 The Untamed Breed
1949 Miss Grant Takes Richmond
1949 Mr. Soft Touch
1949 Shockproof
1949 Slightly French
1949 The Doolins of Oklahoma
1949 The Walking Hills
1949 Tokyo Joe
1950 Cargo to Capetown
1950 Kill the Umpire
1950 Stage to Tucson
1950 The Fuller Brush Girl
1950 The Nevadan
1951 Man in the Saddle
1951 Mask of the Avenger
1951 Santa Fe
1952 Captain Pirate
1952 Hangman's Knot
1952 Paula
1952 The Happy Time
1953 Last of the Comanches
1953 Let's Do It Again
1953 Miss Sadie Thompson
1954 Drive a Crooked Road
1954 They Rode West
1954 Three Hours to Kill
1955 Bring Your Smile Along
1955 My Sister Eileen
1955 The Long Gray Line
1956 Full of Life
1956 Jubal
1956 You Can't Run Away from It
1957 3:10 to Yuma
1957 Operation Mad Ball
1957 The Tall T
1958 Cowboy
1958 Gunman's Walk
1958 The Last Hurrah
1959 It Happened to Jane
1959 Ride Lonesome
1959 The Gene Krupa Story
1960 Comanche Station
1960 Man on a String
1960 The Wackiest Ship in the Army
1961 A Raisin in the Sun
1961 Two Rode Together
1962 Rome Adventure
1963 Spencer's Mountain
1964 Ensign Pulver
1964 Youngblood Hawke
1965 A Rage to Live
1967 Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feeling So Sad
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.