A work in constant progress (and occasional regress).
Sound:
1968 The Virgin of Pessac
1971 The Laboratory of Fear
1973 Marriage a la Mode
1974 General Idi Amin Dada
1978 Et vive la liberté!
1979 Cop or Hood
1979 Le temps des vacances
1982 Ace of Aces
1983 The Outsider
1985 All Mixed Up
1987 Levy & Goliath
1989 Vanille fraise
1989 What Time Is It?
1990 My Father's Glory
1991 Mother
1992 588 rue Paradis
Sound Assistant:
1968 The Virgin of Pessac
1969 My Night at Maud's
1970 Sex Power
1971 The Laboratory of Fear
1973 Marriage a la Mode
1974 General Idi Amin Dada
1978 Et vive la liberté!
1979 Cop or Hood
1979 Le temps des vacances
1982 Ace of Aces
1983 The Outsider
1985 All Mixed Up
1987 Levy & Goliath
1989 Vanille fraise
1989 What Time Is It?
1990 My Father's Glory
1991 Mother
1992 588 rue Paradis
Sound Designer:
1968 The Virgin of Pessac
1969 My Night at Maud's
1970 Sex Power
1971 The Laboratory of Fear
1973 Marriage a la Mode
1974 Dorothea's Revenge
1974 General Idi Amin Dada
1978 Et vive la liberté!
1979 Cop or Hood
1979 Le temps des vacances
1982 Ace of Aces
1983 The Outsider
1985 All Mixed Up
1987 Levy & Goliath
1989 Vanille fraise
1989 What Time Is It?
1990 My Father's Glory
1991 Mother
1992 588 rue Paradis
Sound Engineer:
1968 The Virgin of Pessac
1969 My Night at Maud's
1970 Sex Power
1970 Un troisième
1971 The Laboratory of Fear
1973 Marriage a la Mode
1974 Dorothea's Revenge
1974 General Idi Amin Dada
1977 Alice or the Last Escapade
1978 Et vive la liberté!
1979 Cop or Hood
1979 Le temps des vacances
1981 The Professional
1982 Ace of Aces
1983 The Outsider
1984 Biquefarre
1985 All Mixed Up
1987 Levy & Goliath
1989 Brothers in Arms
1989 Vanille fraise
1989 What Time Is It?
1990 My Father's Glory
1991 Mother
1992 588 rue Paradis
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.