A work in constant progress (and occasional regress).
Birthplace:
Bogotá, DC, Colombia
Born:
September 3, 1941
María Camila Loboguerrero (Bogotá, 1941) is a Colombian film director, screenwriter and editor. She was the first woman in Colombia to enter the film industry as a feature film director. Camila began her fine arts studies at the Universidad de los Andes in Bogota and later traveled to Paris where she studied art history at the Sorbonne in France, where she met film personalities of that country and became interested in filmmaking, which led her to pursue a degree in cinematography at the University of Vincennes in France, later specializing in film directing, educational filmmaking and anthropological and documentary filmmaking in Paris. In 1971, Camila returned to Colombia and after overcoming some difficulties, she made her first fiction feature film, Con su música a otra parte, 1984, with the support of the now defunct state entity FOCINE. In 1990 she made her second short film, María Cano, about the first woman political leader in Colombia. During the nineties, Camila Loboguerrero developed a wide variety of documentaries, short and medium-length films that have won awards at different festivals. In 2001 she was art director and producer of the film Los niños invisibles by Lisandro Duque. After a long absence from directing feature films due in part to the lack of support for filmmakers after the closure of FOCINE, Camila resumed this activity thanks to the film law passed in 2003 and shot the feature film Nochebuena with the support of the film fund. The film was released in December 2008.
Director:
1971 José Joaquín Barrero
1972 Educación para Adultos
1972 El Oro del Choco
1973 Llano y Contaminación
1975 Ala Solar
1978 Soledad de Paseo
1979 Ya soy Rosca
1980 Debe Haber Pero No Hay
1980 ¿Por qué se esconde Drácula?
1984 Con su Música a otra parte
1985 Pongale Color
1985 Vida de Perros
1990 María Cano
2008 Nochebuena
Editor:
1971 José Joaquín Barrero
1972 Educación para Adultos
1972 El Oro del Choco
1973 Llano y Contaminación
1975 Ala Solar
1975 Carrera séptima - arteria de una nación
1978 Soledad de Paseo
1979 Ya soy Rosca
1980 Debe Haber Pero No Hay
1980 ¿Por qué se esconde Drácula?
1984 Con su Música a otra parte
1985 Pongale Color
1985 Vida de Perros
1990 María Cano
2008 Nochebuena
Producer:
1971 José Joaquín Barrero
1972 Educación para Adultos
1972 El Oro del Choco
1973 Llano y Contaminación
1975 Ala Solar
1975 Carrera séptima - arteria de una nación
1978 Soledad de Paseo
1979 Ya soy Rosca
1980 Debe Haber Pero No Hay
1980 ¿Por qué se esconde Drácula?
1984 Con su Música a otra parte
1985 Pongale Color
1985 Vida de Perros
1990 María Cano
2008 Nochebuena
Screenplay:
1971 José Joaquín Barrero
1972 Educación para Adultos
1972 El Oro del Choco
1973 Llano y Contaminación
1975 Ala Solar
1975 Carrera séptima - arteria de una nación
1978 Soledad de Paseo
1979 Ya soy Rosca
1980 Debe Haber Pero No Hay
1980 ¿Por qué se esconde Drácula?
1984 Con su Música a otra parte
1985 Pongale Color
1985 Vida de Perros
1990 María Cano
2008 Nochebuena
Writer:
1971 José Joaquín Barrero
1972 Educación para Adultos
1972 El Oro del Choco
1973 Llano y Contaminación
1975 Ala Solar
1975 Carrera séptima - arteria de una nación
1978 Soledad de Paseo
1979 Ya soy Rosca
1980 Debe Haber Pero No Hay
1980 ¿Por qué se esconde Drácula?
1984 Con su Música a otra parte
1985 Pongale Color
1985 Vida de Perros
1990 María Cano
2008 Nochebuena
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.