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Julianna Ugrin

Alias:
Джулианна Угрин

Biography from TheMovieDB

Julianna Ugrin graduated from ELTE University in 2005, she started to work in the film field at Flora Film International. In 2009 she was selected to EURODOC producers workshop. From March 2009, she worked at Havas Films as producer and production manager. She established Éclipse Film, an independent film production company in 2011. She developed projects at various international workshops and pitching forums. Films produced by her were screened, nominated and awarded at festivals like Sundance, IDFA, DOK Leipzig, or Sarajevo IFF. Since 2013 she teaches at the Hungarian Film Academy in Documentary MA studies and is a DLA student there. She is part of Emerging Producers 2014 and is an EAVE graduate. She is organizer of DunaDOCK Master Class & Pitching series, member of the Hungarian Film Academy and of EDN.

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Additional information:

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Film Production

Director:
2022  Holy Dilemma
2022  Vater unser

Executive Producer:
2016  Loop
2022  Holy Dilemma
2022  Vater unser

Producer:
2014  Nemzeti dokumentumfilm
2015  Train to Adulthood
2016  Loop
2017  A Woman Captured
2018  Easy Lessons
2018  The Next Guardian
2019  Liquid Gold: In Quest of the Aszu of Tokaj
2022  Holy Dilemma
2022  Vater unser

Writer:
2014  Nemzeti dokumentumfilm
2015  Train to Adulthood
2016  Loop
2017  A Woman Captured
2018  Easy Lessons
2018  The Next Guardian
2019  Liquid Gold: In Quest of the Aszu of Tokaj
2022  Holy Dilemma
2022  Vater unser

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.