A work in constant progress (and occasional regress).
Birthplace:
Limoges, France
Born:
September 12, 1969
Laurent Chalet (12 December 1969 in Limoges, Haute-Vienne) is a French Director of Photography who has made his career in both the fiction and documentary realms. Chalet filmed the 2006 Academy Award winning documentary March of the Penguins, which was also nominated for the BAFTA Best Photography award. In 2006, Chalet initiated legal action against the producers of the film, alleging that his royalty contract had been renegotiated under duress, and that he had not been credited for authorship. Source: Article "Laurent Chalet" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Camera Operator:
2008 Do You Still?
2011 The Trial of Adolf Eichmann
2022 Searching for Planet 9
Camera Technician:
2008 Do You Still?
2011 The Trial of Adolf Eichmann
2022 Searching for Planet 9
2024 Mères à perpétuité
Director of Photography:
2005 March of the Penguins
2008 Do You Still?
2011 Lads & Jockeys
2011 The Trial of Adolf Eichmann
2012 You, Me and Us
2013 Love Battles
2014 Ellis Island, une histoire du rêve Américain
2016 The Smuggler and Her Charges
2019 Abbas by Abbas
2020 Auguste Escoffier: The Birth of Haute Cuisine
2022 Searching for Planet 9
2023 Les Scandales de « La Religieuse »
2024 Mères à perpétuité
Director:
2008 Die neuen Paradiese
2012 Les aventures d'un gentleman-voyageur
2018 L'homme des bois
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.