A work in constant progress (and occasional regress).
Marcus A. Clarke is a Brooklyn-born director and producer with nearly twenty years of experience working in commercial production, television and film. Through the years, he’s been the production manager for Santiago Inc. and worked as a film runner for Spike Lee at Forty Acres & A Mule, where he was also trained as a 1st A.D. by Spike’s longtime Assistant Director, Mike Ellis. His producer credits include work on the narrative feature Know How (2011), CNN and Mass Appeal’s feature-length documentary on hip-hop fashion, Fresh Dressed (Sundance Selection, 2015) and Nas Live From the Kennedy Center: Classical Hip-Hop (2018), which was the first hip hop selection released as part of PBS’s critically-acclaimed Great Performances series. He’s an award-winning commercial director, with a list of clients that includes Google, Instagram, Under Armour, Gillette and Nike.
Assistant Director:
2015 Fresh Dressed
Cinematography:
2015 Fresh Dressed
2018 Point Blank Period: A City Girls Documentary
Director:
2015 Fresh Dressed
2018 Point Blank Period: A City Girls Documentary
2019 THE WIZRD
2021 Blood Brothers: Malcolm X & Muhammad Ali
2024 The Honorable Shyne
Executive Producer:
2015 Fresh Dressed
2018 Point Blank Period: A City Girls Documentary
2019 THE WIZRD
2021 Blood Brothers: Malcolm X & Muhammad Ali
2024 The Honorable Shyne
Producer:
2015 Fresh Dressed
2018 Point Blank Period: A City Girls Documentary
2019 THE WIZRD
2021 Blood Brothers: Malcolm X & Muhammad Ali
2024 The Honorable Shyne
Co-Executive Producer:
2023 RapCaviar Presents
Director:
2020 Unsolved Mysteries
2023 RapCaviar Presents
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.