Eric Apps

Alias:
Rico Napps

Eric Apps works as a sound re-recording mixer for film and television productions.

Additional information:

The Search Form


ADR Recordist:
1997  The Sweet Hereafter
1999  The Battle of Vimy Ridge
2002  American Psycho II: All American Girl
2012  Resident Evil: Retribution

Dialogue Editor:
1997  The Sweet Hereafter
1999  The Battle of Vimy Ridge
2002  American Psycho II: All American Girl
2012  Resident Evil: Retribution
2017  Porcupine Lake

Mixing Engineer:
1997  The Sweet Hereafter
1999  The Battle of Vimy Ridge
2002  American Psycho II: All American Girl
2012  Resident Evil: Retribution
2017  Porcupine Lake

Sound:
1994  X-Rated
1997  The Sweet Hereafter
1999  The Battle of Vimy Ridge
2002  American Psycho II: All American Girl
2012  Resident Evil: Retribution
2017  Porcupine Lake

Sound Mixer:
1994  X-Rated
1997  The Sweet Hereafter
1999  The Battle of Vimy Ridge
2002  American Psycho II: All American Girl
2012  Resident Evil: Retribution
2017  Porcupine Lake
2017  The Other Side of Porcupine Lake
2018  Killer High

Sound Re-Recording Mixer:
1994  X-Rated
1997  The Sweet Hereafter
1999  The Battle of Vimy Ridge
2002  American Psycho II: All American Girl
2007  All the Good Ones Are Married
2007  The Chair
2007  Wide Awake
2010  The Shrine
2012  Resident Evil: Retribution
2016  Army of One
2017  Porcupine Lake
2017  The Carmilla Movie
2017  The Other Side of Porcupine Lake
2018  Killer High
2022  The Perfect Story

Sound Recordist:
1994  X-Rated
1997  The Sweet Hereafter
1999  The Battle of Vimy Ridge
1999  The Divine Ryans
2002  American Psycho II: All American Girl
2007  All the Good Ones Are Married
2007  The Chair
2007  Wide Awake
2010  The Shrine
2012  Resident Evil: Retribution
2016  Army of One
2017  Porcupine Lake
2017  The Carmilla Movie
2017  The Other Side of Porcupine Lake
2018  Killer High
2022  The Perfect Story

Sound Designer:
2006  Covert One: The Hades Factor

Sound Re-Recording Mixer:
2004  Shoebox Zoo
2006  Covert One: The Hades Factor
2009  The Day of the Triffids
2023  FUBAR

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.