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Adam Davidson

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Birthplace:
Chelmsford, Essex, England

Biography from TheMovieDB

Senior re-recording mixer Adam Davidson has served in that role since 2018. He has worked continuously for the company under its previous names since 2006, starting as a runner and working his way up to sound assistant, ADR recordist, mixer and then a senior mixer. His recent work in that capacity (sharing duties with Company 3 colleague senior recording mixer Matthew Knights) includes both seasons of the internationally acclaimed miniseries The Great. A listing of the many other shows Davidson has mixed recently would include such highlights as Feel Good, The Duchess and highly-acclaimed drama A Confession.  Davidson grew up just outside of London in Essex. Fascinated throughout his youth in music, he studied music technology in school before learning about postproduction audio, committing to that field and, upon graduation, moving to London to begin his illustrious career.

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Film Production

ADR Mixer:
2008  Mister Lonely

ADR Recordist:
2008  Mister Lonely
2010  Siren
2015  Room
2016  Brimstone

Sound Designer:
2008  Mister Lonely
2010  Siren
2015  Don't Take My Baby
2015  Room
2016  Brimstone

Sound Re-Recording Mixer:
2008  Mister Lonely
2010  Siren
2012  Shut Up and Play the Hits
2015  Don't Take My Baby
2015  Room
2016  Brimstone

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TV Production

Sound:
2019  A Confession

Sound Re-Recording Mixer:
2019  A Confession
2023  Archie: The Man Who Became Cary Grant

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.