Laura Mora (b. 1981)

Alias:
Laura Mora
Laura Mora Ortega

Birthplace:
Medellín, Antioquia, Colombia

Born:
April 20, 1981

Laura Mora Ortega (Medellín, 1981) is a Colombian film director and screenwriter, recognized for her 2017 feature film Matar a Jesús, and for winning the Golden Shell at the 70th edition of the San Sebastian International Film Festival, with Los reyes del mundo.  He was born in Medellín and studied high school at the German School in the same city. He studied film production and directing at RMIT University in Melbourne, Australia.  Matar a Jesús is Mora's debut feature film. It was released in 2017 in theaters in Colombia. The film won a large number of national and international awards, including the EGEDA Award at the Cartagena Film Festival, the Jury Prize for Best First Film and the Casa de las Américas Award at the International Festival of New Latin American Cinema in Havana, the Eroski Youth Award at the San Sebastian Film Festival and the Roger Ebert Award at the Chicago Film Festival.

Additional information:

The Search Form


Director:
2006  Brotherhood
2012  Salomé
2015  Before the fire
2017  Killing Jesus
2022  The Kings of the World

Editor:
2006  Brotherhood
2012  Salomé
2015  Before the fire
2017  Killing Jesus
2022  The Kings of the World

Producer:
2006  Brotherhood
2012  Salomé
2015  Before the fire
2017  Killing Jesus
2022  The Kings of the World

Production Executive:
2006  Brotherhood
2012  Salomé
2015  Before the fire
2017  Killing Jesus
2020  The Bed
2022  The Kings of the World

Script:
2006  Brotherhood
2012  Salomé
2013  Lo azul del cielo
2015  Before the fire
2017  Killing Jesus
2020  The Bed
2022  The Kings of the World

Writer:
2006  Brotherhood
2012  Salomé
2013  Lo azul del cielo
2015  Before the fire
2017  Killing Jesus
2020  The Bed
2022  The Kings of the World

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.