A work in constant progress (and occasional regress).
Camera Operator:
2017 Pilgrimage
Cinematography:
2017 Pilgrimage
2018 Peau de Chagrin/Bleu de Nuit
2022 Green Fit
2024 Draw for Change: Tree of Violence
Clapper Loader:
2009 Looking for Eric
2012 The Angels' Share
2017 Pilgrimage
2018 Peau de Chagrin/Bleu de Nuit
2022 Green Fit
2024 Draw for Change: Tree of Violence
Director of Photography:
2009 Looking for Eric
2012 The Angels' Share
2014 Osez la Macédoine
2017 Pilgrimage
2017 The Faithful Son
2018 For A Happy Life
2018 Peau de Chagrin/Bleu de Nuit
2019 Binti
2019 The Mercy of the Jungle
2019 Zombies
2021 All-In
2021 Hunted
2022 Call it the burning
2022 Dreaming Walls
2022 Green Fit
2023 Omen
2023 The Wall
2024 Draw for Change: Tree of Violence
Second Assistant Camera:
2009 Looking for Eric
2011 Route Irish
2012 The Angels' Share
2014 Osez la Macédoine
2017 Pilgrimage
2017 The Faithful Son
2018 For A Happy Life
2018 Peau de Chagrin/Bleu de Nuit
2019 Binti
2019 The Mercy of the Jungle
2019 Zombies
2021 All-In
2021 Hunted
2022 Call it the burning
2022 Dreaming Walls
2022 Green Fit
2023 Omen
2023 The Wall
2024 Draw for Change: Tree of Violence
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.