A work in constant progress (and occasional regress).
Alias:
Eric Gautier
에릭 고티에
Birthplace:
Paris, France
Born:
April 2, 1961
Éric Gautier (born 2 April 1961) is a French cinematographer. He has received numerous accolades for his work, including a César Award for Those Who Love Me Can Take the Train and an Independent Spirit Award for The Motorcycle Diaries. Gautier was born and raised in Paris; he grew up in eleventh, twelfth, nineteenth, and twentieth arrondissements with his construction engineer father, mother, and younger sister. During his youth, he excelled in music, and from the age of eleven played the piano and organ. He originally aspired to become a professional musician before becoming disillusioned with the field and deciding to pursue a career in cinema instead, which he felt combined many different creative pursuits. He attended the film school of the Louis Lumière College. After graduating from the Louis Lumière film school in 1982, Gautier began work as an assistant camera operator director on Alain Resnais's film Life Is a Bed of Roses. He left the job soon after, however, and chose instead to work as the director of photography on short films. He shot 60 films before returning to feature film work. The first feature-length film he photographed was La Vie des morts, released in 1991 and directed by Arnaud Desplechin. He won a César Award for his cinematography on Those Who Love Me Can Take the Train (1998), and received nominations for his work on Sentimental Destinies (2000), Clean (2004), Gabrielle (2005), Private Fears in Public Places (2006), and A Christmas Tale (2008). He has worked on many other French films, collaborating most often with Resnais and the directors Olivier Assayas, Arnaud Desplechin, and Claude Berri. Gautier began working in international film in the early 2000s, beginning with The Motorcycle Diaries, for which he won the Independent Spirit Award for Best Cinematography and the 2004 Cannes Film Festival Technical Grand Prize, and was nominated for the BAFTA Award for Best Cinematography. After seeing The Motorcycle Diaries, American actor/filmmaker Sean Penn approached Gautier to shoot the 2007 film Into the Wild, for which he won a Lumière Award. He subsequently served as director of photography on the American films Taking Woodstock (2009) and Grace of Monaco (2014).
Cinematography:
1987 Le scorpion
2024 Caught by the Tides
2024 Shikun
???? Why War
Director of Photography:
1987 Le scorpion
1991 The Life of the Dead
1993 La femme à abattre
1993 Travolta and Me
1994 Le fils préféré
1994 Nobody Loves Me
1995 One Hundred and One Nights
1996 Irma Vep
1996 Love, etc.
1996 My Sex Life... or How I Got Into an Argument
1996 Tykho Moon
1997 Sans Titre
1998 Those Who Love Me Can Take the Train
1999 HHH: A Portrait of Hou Hsiao-Hsien
1999 Pola X
2000 Esther Kahn
2000 Passionnément
2000 Sentimental Destinies
2001 Brief Crossing
2001 Intimacy
2001 Savage Souls
2002 The Housekeeper
2003 His Brother
2004 Clean
2004 Kings and Queen
2004 The Motorcycle Diaries
2005 Gabrielle
2005 One Stays, the Other Leaves
2006 A Guide to Recognizing Your Saints
2006 Noise
2006 Paris Je T'aime
2006 Private Fears in Public Places
2006 The Widows of Noirmoutier
2007 Into the Wild
2008 A Christmas Tale
2008 Summer Hours
2009 Taking Woodstock
2009 Wild Grass
2010 Miral
2012 Capital
2012 On the Road
2012 Something in the Air
2012 You Ain't Seen Nothin' Yet
2014 Grace of Monaco
2014 Incident Urbain
2015 Aloha
2015 Hitchcock/Truffaut
2015 Rabin, the Last Day
2017 The Elephant and the Butterfly
2018 Ash Is Purest White
2018 The Apparition
2018 The Mercy
2019 A Tramway in Jerusalem
2019 The Truth
2021 A Folk Horror Tale
2021 Laila in Haifa
2022 Both Sides of the Blade
2022 Stars at Noon
2023 Les Secrets de la princesse de Cadignan
2024 Caught by the Tides
2024 Like a Son
2024 Shikun
2024 Suspended Time
???? Why War
Cinematography:
2001 Pierre or The Ambiguities
Director of Photography:
2001 Pierre or The Ambiguities
2020 The Eddy
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.