A work in constant progress (and occasional regress).
Diogo Hayashi is a director, screenwriter and production designer. As a director, his films were shown at festivals in Cartagena, MixBrasil, Kinoforum, Tiradentes, among others. As an PD, he received a Candango at the 51st Brasília Film Festival for the design in the feature-length Temporada, and his films were screened at festivals such as Cannes, Berlinale, Locarno, Toronto Film Fest, NY Film Fest, London Film Fest, Brasília, and also in art museums such as Gasworks in London and Pérez Art Museum in Miami. Diogo is a Berlinale Talents Alumni and partner at Sancho & Punta.
Art Direction:
2017 Disaster Film
2017 Elza Soares: A Mulher do Fim do Mundo
2020 August Sky
2020 Light in the Tropics
2020 Riverock
2021 Ostinato
2021 The Path is Made by Walking
2022 Sunday Morning
2024 Sleep with Your Eyes Open
Director:
2010 Izamara
2017 Disaster Film
2017 Elza Soares: A Mulher do Fim do Mundo
2017 Oni
2017 Savage Fire
2020 August Sky
2020 Coming Clean
2020 Light in the Tropics
2020 Riverock
2021 Ostinato
2021 The Path is Made by Walking
2022 Sunday Morning
2024 Sleep with Your Eyes Open
Editor:
2010 Izamara
2017 Disaster Film
2017 Elza Soares: A Mulher do Fim do Mundo
2017 Oni
2017 Savage Fire
2020 August Sky
2020 Coming Clean
2020 Light in the Tropics
2020 Riverock
2021 Ostinato
2021 The Path is Made by Walking
2022 Sunday Morning
2024 Sleep with Your Eyes Open
Executive Producer:
2010 Izamara
2017 Disaster Film
2017 Elza Soares: A Mulher do Fim do Mundo
2017 Oni
2017 Savage Fire
2020 August Sky
2020 Coming Clean
2020 Light in the Tropics
2020 Riverock
2021 Ostinato
2021 The Path is Made by Walking
2022 Sunday Morning
2024 Sleep with Your Eyes Open
Producer:
2010 Izamara
2017 Disaster Film
2017 Elza Soares: A Mulher do Fim do Mundo
2017 Oni
2017 Savage Fire
2020 August Sky
2020 Coming Clean
2020 Light in the Tropics
2020 Riverock
2021 Ostinato
2021 The Path is Made by Walking
2022 Sunday Morning
2024 Sleep with Your Eyes Open
Production Design:
2010 Izamara
2017 Disaster Film
2017 Elza Soares: A Mulher do Fim do Mundo
2017 Oni
2017 Savage Fire
2019 Long Way Home
2020 August Sky
2020 Coming Clean
2020 Light in the Tropics
2020 Riverock
2021 Ostinato
2021 The Path is Made by Walking
2022 Sunday Morning
2024 Sleep with Your Eyes Open
Screenplay:
2010 Izamara
2017 Disaster Film
2017 Elza Soares: A Mulher do Fim do Mundo
2017 Oni
2017 Savage Fire
2019 Long Way Home
2020 August Sky
2020 Coming Clean
2020 Light in the Tropics
2020 Riverock
2021 Ostinato
2021 The Path is Made by Walking
2022 Sunday Morning
2024 Sleep with Your Eyes Open
Writer:
2010 Izamara
2017 Disaster Film
2017 Elza Soares: A Mulher do Fim do Mundo
2017 Oni
2017 Savage Fire
2019 Long Way Home
2020 August Sky
2020 Coming Clean
2020 Light in the Tropics
2020 Riverock
2021 Ostinato
2021 The Path is Made by Walking
2022 Sunday Morning
2024 Sleep with Your Eyes Open
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.