A work in constant progress (and occasional regress).
Alias:
سؤدد كعدان
Birthplace:
France
Born:
January 1, 1979
Soudade Kaadan is a Syrian filmmaker, born in France in 1979. She was educated in theatre criticism at the Higher Institute of Dramatic Arts in Syria and in filmmaking at the Saint Joseph University in Lebanon. She has directed and produced documentary films for Al Jazeera Documentary Channel, UNDP and UNICEF. The Day I Lost My Shadow (2018) is her first feature fiction film and was selected for the Venice and Toronto film festivals. In Venice the film was awarded Best Debut.
Director:
2008 Two Cities and a Prison
2010 Damascus Roof and Tales of Paradise
2016 Besieged Bread
2017 Obscure
2018 The Day I Lost My Shadow
2019 Aziza
2023 Nezouh
Editor:
2008 Two Cities and a Prison
2010 Damascus Roof and Tales of Paradise
2016 Besieged Bread
2017 Obscure
2018 The Day I Lost My Shadow
2019 Aziza
2023 Nezouh
Producer:
2008 Two Cities and a Prison
2010 Damascus Roof and Tales of Paradise
2016 Besieged Bread
2017 Obscure
2018 The Day I Lost My Shadow
2019 Aziza
2023 Nezouh
Screenplay:
2008 Two Cities and a Prison
2010 Damascus Roof and Tales of Paradise
2016 Besieged Bread
2017 Obscure
2018 The Day I Lost My Shadow
2019 Aziza
2023 Nezouh
Story:
2008 Two Cities and a Prison
2010 Damascus Roof and Tales of Paradise
2016 Besieged Bread
2017 Obscure
2018 The Day I Lost My Shadow
2019 Aziza
2023 Nezouh
Writer:
2008 Two Cities and a Prison
2010 Damascus Roof and Tales of Paradise
2016 Besieged Bread
2017 Obscure
2018 The Day I Lost My Shadow
2019 Aziza
2023 Nezouh
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.