A work in constant progress (and occasional regress).
Ashly Covington is a hand model and photographer based in Richmond, VA and Los Angeles, CA.
Steadicam Operator:
2016 Her Dark Past
Still Photographer:
2016 Her Dark Past
2018 A Christmas Switch
2018 Blood, Sweat and Lies
2018 Half the Picture
2018 He Knows Your Every Move
2018 Mommy Be Mine
2018 Shattered Memories
2019 A Daughter's Deception
2019 Almost Perfect
2019 Anniversary Nightmare
2019 Cradles for Cash
2019 Deviant Love
2019 His Secret Marriage
2019 Kill Me Twice
2020 Darkness Falls
2020 Deadly Mile High Club
2020 Killer Competition
2020 Money Plane
2020 Ruthless Realtor
2021 A Soldier's Revenge
2021 Desperate Widows
2021 Happily
2021 Killer Cover Up
2022 Every Night & Every Day
2022 Husband, Wife, and Their Lover
2022 Killer Stepmom
2022 Temptation Under the Sun
2022 Time Pirates
2023 Natty Knocks
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.