A work in constant progress (and occasional regress).
Alias:
國音邦生
辻田 邦夫
辻󠄀田邦夫
Birthplace:
Tokyo, Japan
Born:
April 19, 1963
Color Designer:
1993 Coo of The Far Seas
2003 Interstella 5555: The 5tory of the 5ecret 5tar 5ystem
2009 One Piece Film: Strong World
2012 Blossom
2014 Wake Up, Girls! - Seven Idols
2020 Looking for Magical Doremi
2022 RE:cycle of the PENGUINDRUM Part 1: Your Train Is the Survival Tactic
2022 RE:cycle of the PENGUINDRUM Part 2: I Love You
2024 Mononoke the Movie: The Phantom in the Rain
2025 Mononoke the Movie: The Ashes of Rage
Color Designer:
1997 Kindaichi Case Files
2009 Thriller Restaurant
2011 Penguindrum
2012 Saint Seiya Omega
2013 My Teen Romantic Comedy SNAFU
2014 Ping Pong the Animation
2017 The Silver Guardian
2018 HANEBADO!
2021 "Deji" Meets Girl
2021 Tokyo Revengers
2021 Vivy: Fluorite Eye's Song
2022 YUREI DECO
2023 Akuma Kun
2024 Science SARU x MBS Original Short Anime Daisakusen!
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.