A work in constant progress (and occasional regress).
Assistant Director:
1952 Dark River
Assistant Director of Photography:
1938 Adiós Buenos Aires
1952 Dark River
Camera Car:
1938 Adiós Buenos Aires
1939 El sobretodo de Céspedes
1940 Ha entrado un ladrón
1941 Mamá Gloria
1942 La maestrita de los obreros
1945 The Immovable Loved One
1946 Milagro de amor
1947 El pecado de Julia
1947 Romance musical
1948 La dama del collar
1952 Dark River
1959 Mi esqueleto
1961 Amorina
1964 Mujeres perdidas
Camera Operator:
1938 Adiós Buenos Aires
1938 La vuelta al nido
1939 El sobretodo de Céspedes
1940 Ha entrado un ladrón
1941 Mamá Gloria
1942 La maestrita de los obreros
1942 ¡Secuestro sensacional!
1943 La piel de zapa
1945 The Immovable Loved One
1946 Milagro de amor
1947 El pecado de Julia
1947 La senda oscura
1947 Romance musical
1948 La dama del collar
1951 The Islanders
1952 Dark River
1952 If I Should Die Before I Wake
1952 Never Open That Door
1959 Mi esqueleto
1961 Amorina
1964 Mujeres perdidas
1965 Los hipócritas
1974 The Truce
1977 Saverio, el cruel
1979 Este loco amor loco
Camera Technician:
1938 Adiós Buenos Aires
1938 La vuelta al nido
1939 El sobretodo de Céspedes
1940 Ha entrado un ladrón
1941 Mamá Gloria
1941 Peluquería de señoras
1942 La maestrita de los obreros
1942 ¡Secuestro sensacional!
1943 La piel de zapa
1945 The Immovable Loved One
1946 Milagro de amor
1947 El pecado de Julia
1947 La senda oscura
1947 Romance musical
1948 La dama del collar
1951 The Islanders
1952 Dark River
1952 If I Should Die Before I Wake
1952 Never Open That Door
1959 Mi esqueleto
1961 Amorina
1964 Mujeres perdidas
1965 Los hipócritas
1974 The Truce
1977 Saverio, el cruel
1979 Este loco amor loco
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.