A work in constant progress (and occasional regress).
Alias:
Sheila Bond
Sheila Seifi
Sheila is a Los Angeles based makeup artist specializing in effects and beauty. She's both collaborated and headed the special effects department on a variety of blockbuster and independent films. Sheila works in special effects laboratories doing sculpting, mold making painting, life-casting, foam running and dental prosthetic fabrication. Her art is also featured at The Hive Gallery in downtown Los Angeles.
Assistant Makeup Artist:
2012 Survivor Type
Key Makeup Artist:
2012 Survivor Type
2020 InterReflections
Makeup Artist:
2012 Survivor Type
2020 InterReflections
???? Fishers of Men
Makeup Department Head:
2012 Survivor Type
2016 Remote Paradise
2017 A Woman Deceived
2020 InterReflections
2023 Resurrected
2024 Secret Gospel
???? Fishers of Men
Makeup Effects:
2012 Survivor Type
2016 Director's Cut
2016 Remote Paradise
2017 A Woman Deceived
2020 InterReflections
2023 Resurrected
2024 Secret Gospel
???? Fishers of Men
Producer:
2012 Survivor Type
2016 Director's Cut
2016 Remote Paradise
2017 A Woman Deceived
2018 Disposition
2020 InterReflections
2023 Resurrected
2024 Secret Gospel
???? Fishers of Men
Special Effects Makeup Artist:
2012 Survivor Type
2016 Director's Cut
2016 Remote Paradise
2017 A Woman Deceived
2018 Disposition
2020 InterReflections
2023 Resurrected
2024 Secret Gospel
???? Fishers of Men
???? Foibles
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.