A work in constant progress (and occasional regress).
Dialogue Editor:
???? Arenas
Sound:
2011 Wakasa
2017 Et les mistrals gagnants
2021 PUNK! Il était une fois Gilles Bertin
???? Arenas
Sound Designer:
2011 Wakasa
2013 La bête
2017 Et les mistrals gagnants
2021 PUNK! Il était une fois Gilles Bertin
???? Arenas
Sound Editor:
2011 Wakasa
2013 La bête
2015 Mantra
2017 Burning Hope
2017 Et les mistrals gagnants
2018 De l’amitié
2019 The Night Before
2020 Martin Fell From a Roof
2021 El Conquistador
2021 Noir-soleil
2021 PUNK! Il était une fois Gilles Bertin
???? Arenas
Sound Mixer:
2011 Wakasa
2013 La bête
2015 Mantra
2017 Burning Hope
2017 Et les mistrals gagnants
2018 De l’amitié
2019 The Night Before
2020 Martin Fell From a Roof
2021 El Conquistador
2021 Noir-soleil
2021 PUNK! Il était une fois Gilles Bertin
???? Arenas
Sound Re-Recording Mixer:
2011 Wakasa
2013 La bête
2015 Mantra
2017 Burning Hope
2017 Et les mistrals gagnants
2018 De l’amitié
2019 The Night Before
2020 Martin Fell From a Roof
2021 Corps Samples
2021 El Conquistador
2021 Noir-soleil
2021 PUNK! Il était une fois Gilles Bertin
???? Arenas
Sound Mixer:
2019 Fail in Love
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.