A work in constant progress (and occasional regress).
Alias:
Rolando Santos
Birthplace:
Argentine
Roly Santos is an Argentinean filmmaker graduated from CERC-ENERC (National Cinematographic School) and sociologist from UBA (Buenos Aires University). He shot in a lot of countries around the world. Makes his directorial debut with "How Silly we are grown up" a fiction feature (2000-Official Selection San Sebastian, IFF La Havana and IFF Figueira Foz). He was involved as producer and director in episodes films documentaries such as"Crisol" (Argentina 2011, 8 chapters x 28'), "Hi India" (India 2015, 5 chapters x 26'), "New Dubliners" (Ireland 2016, 5 chapters x 26') . He has got a "Mention" in IFF La Havana (Cuba) and "Best Director" and "Best Edition" awards for "Hands Together" (documentary feature) in Figueira Film Art (Portugal 2015). With Italian partners made "Caffè Sospeso" (feature documentary released by Netflix in 2018). Produced and Directed "Dedalo" Fiction film episodes (8 chapters x26'), and 2019 a fiction feature "Water Pigs", in co-production between Argentina and Brazil. Roly Santos, as a sociologist he taught about "labor rights" and "intellectual property rights" for technicians, directors, actors and musicians of the film industry worldwide. Author is also a member of "DAC" Argentine Directors, Argentores (scriptwriters) and 100autori (Italy).-
Camera Operator:
2014 Hands together
2017 Coffee for All
Director:
2000 How silly are to grow up
2014 Hands together
2017 Coffee for All
2020 Water Pigs
Editor:
1986 Gombrowicz or seduction (Represented by his disciples)
2000 How silly are to grow up
2014 Hands together
2017 Coffee for All
2020 Water Pigs
Writer:
1986 Gombrowicz or seduction (Represented by his disciples)
2000 How silly are to grow up
2014 Hands together
2017 Coffee for All
2020 Water Pigs
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.