Ann Oren

Gallery Unavailable

Ann Oren is a visual artist and filmmaker. Her films and video installations explore performative qualities and fantasy in everyday life. The characters in her films exist in the liminal space between performers and audience as she investigates collective desire and legends from the history of literature, theater and cinema. Her work's institutional presentations include The Moscow Biennial for Young Art, The Hammer Museum, The Tel-Aviv museum, Anthology film archives, Apexart and Kindl - Zentrum für zeitgenössische Kunst. Festival screenings include Rotterdam, BFI London, Slamdance, Oberhausen Kurzfilmtage, Dok Leipzig, Locarno and Ann Arbor. Born in Tel-Aviv (1979), Ann studied Film (BA) and Fine Arts (MA) at the school of visual arts, NY. She lives/works in Berlin.

Additional information:

The Search Form


Camera Operator:
2023  Resolution

Director:
2017  Deux femmes (for Man Ray)
2017  The World Is Mine
2019  Blue
2020  Passage
2021  Zoological Society
2023  Piaffe
2023  Resolution
2024  Objet A
2024  Pirouette

Editor:
2017  Deux femmes (for Man Ray)
2017  The World Is Mine
2019  Blue
2020  Passage
2021  Zoological Society
2023  Piaffe
2023  Resolution
2024  Objet A
2024  Pirouette

Screenplay:
2017  Deux femmes (for Man Ray)
2017  The World Is Mine
2019  Blue
2020  Passage
2021  Zoological Society
2023  Piaffe
2023  Resolution
2024  Objet A
2024  Pirouette

Writer:
2017  Deux femmes (for Man Ray)
2017  The World Is Mine
2019  Blue
2020  Passage
2021  Zoological Society
2023  Piaffe
2023  Resolution
2024  Objet A
2024  Pirouette

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.