A work in constant progress (and occasional regress).
Ann Oren is a visual artist and filmmaker. Her films and video installations explore performative qualities and fantasy in everyday life. The characters in her films exist in the liminal space between performers and audience as she investigates collective desire and legends from the history of literature, theater and cinema. Her work's institutional presentations include The Moscow Biennial for Young Art, The Hammer Museum, The Tel-Aviv museum, Anthology film archives, Apexart and Kindl - Zentrum für zeitgenössische Kunst. Festival screenings include Rotterdam, BFI London, Slamdance, Oberhausen Kurzfilmtage, Dok Leipzig, Locarno and Ann Arbor. Born in Tel-Aviv (1979), Ann studied Film (BA) and Fine Arts (MA) at the school of visual arts, NY. She lives/works in Berlin.
Camera Operator:
2023 Resolution
Director:
2017 Deux femmes (for Man Ray)
2017 The World Is Mine
2019 Blue
2020 Passage
2021 Zoological Society
2023 Piaffe
2023 Resolution
2024 Objet A
2024 Pirouette
Editor:
2017 Deux femmes (for Man Ray)
2017 The World Is Mine
2019 Blue
2020 Passage
2021 Zoological Society
2023 Piaffe
2023 Resolution
2024 Objet A
2024 Pirouette
Screenplay:
2017 Deux femmes (for Man Ray)
2017 The World Is Mine
2019 Blue
2020 Passage
2021 Zoological Society
2023 Piaffe
2023 Resolution
2024 Objet A
2024 Pirouette
Writer:
2017 Deux femmes (for Man Ray)
2017 The World Is Mine
2019 Blue
2020 Passage
2021 Zoological Society
2023 Piaffe
2023 Resolution
2024 Objet A
2024 Pirouette
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.