A work in constant progress (and occasional regress).
Birthplace:
Salé, Morocco
Born:
January 1, 1981
Asmae El Moudir (born 1981 in Salé) is a Moroccan documentary filmmaker. El Moudir holds a master's degree in documentary cinema from the Abdelmalek Essaâdi University in Tetouan, and a master's degree in production at the Superior Institute of Information and Communication of Rabat in Rabat. She studied at La Fémis in Paris. She graduated in 2010 from the Moroccan Film Academy in Film Directing / Fiction. After making a number of short films, El Moudir directed The Mother of All Lies (Le mensonge originel), her first feature film. The next year, she directed The Postcard, her first documentary feature film. She has directed documentaries for SNRT, Al Jazeera Documentary, BBC and Al Araby TV. She has won important national and international awards which have been screened in Festivals worldwide and presented on co-production markets. In 2022, she was part of Netflix Equity Fund with Four Female Arab Filmmakers.
Director:
2010 The Last Bullet
2011 The Colors of Silence
2013 Thank God It's Friday
2014 Rough Cut
2016 Harma
2019 Forgotten War
2020 The Postcard
2022 Masira
2024 The Mother of All Lies
Editor:
2010 The Last Bullet
2011 The Colors of Silence
2013 Thank God It's Friday
2014 Rough Cut
2016 Harma
2019 Forgotten War
2020 The Postcard
2022 Masira
2024 The Mother of All Lies
Producer:
2010 The Last Bullet
2011 The Colors of Silence
2013 Thank God It's Friday
2014 Rough Cut
2016 Harma
2019 Forgotten War
2020 The Postcard
2022 Masira
2024 The Mother of All Lies
Screenplay:
2010 The Last Bullet
2011 The Colors of Silence
2013 Thank God It's Friday
2014 Rough Cut
2016 Harma
2019 Forgotten War
2020 The Postcard
2022 Masira
2024 The Mother of All Lies
Writer:
2010 The Last Bullet
2011 The Colors of Silence
2013 Thank God It's Friday
2014 Rough Cut
2016 Harma
2019 Forgotten War
2020 The Postcard
2022 Masira
2024 The Mother of All Lies
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.