A work in constant progress (and occasional regress).
Birthplace:
Rittō
Born:
December 22, 1966
He made his debut in 1984 in Fresh Jump magazine with It's late, the pilot for Rokudenashi Blues. This story received the Tezuka Award of Excellence from publisher Shueisha. After high school, he became assistant to Tetsuo HARA (Hokuto no Ken) and at the same time published several short stories in JUMP magazine's special issues. In 1987, he began his first series, Bachi Atari Rock. In 1988, he began publishing the Rokudenashi Blues series in Weekly Shônen Jump. He captivates his readers with a passionate, lively narrative, a wide variety of characters and excellent pencilling. As a result, the series became a long-seller, publishing for eight years. As soon as his hit was over, Morita turned his attention to baseball with another successful work in Jump, Rookies (24 vol.) which, although it didn't achieve similar fame, was adored and probably more accomplished in terms of both script and graphics. At the end of Rookies in 2003, Morita was 37 years old. He was tired of the weekly rhythm, frustrated by the limits of shônen, dreaming of something else, and still under exclusive contract with Shûeisha, who asked him to stay wisely within Jump, doing shônen.
Comic Book:
2009 Rookies the Movie: Graduation
Creator:
1992 Rokudenashi BLUES
1993 Rokudenashi Blues 1993
2009 Rookies the Movie: Graduation
Original Series Creator:
1992 Rokudenashi BLUES
1993 Rokudenashi Blues 1993
2009 Rookies the Movie: Graduation
Original Story:
1992 Rokudenashi BLUES
1993 Rokudenashi Blues 1993
1996 Rokudenashi Blues
2009 Rookies the Movie: Graduation
Author:
2019 The Kings of Laughter
Original Story:
2008 Rookies
2019 The Kings of Laughter
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.