A work in constant progress (and occasional regress).
Birthplace:
Porto, Portugal
Luís Costa (1993) was born in Porto, Portugal. As a young director, he worked on several projects in the audiovisual area, and his two academic short films were recognised in several national and international festivals. He has also develops parallel projects on photography and music videos, among others. In 2017, 'The Everlasting Man' premiered and was recognised with the Sophia award for best documentary short film by the Portuguese Film Academy. 'Our Kingdom',a short film based on the novel by Valter Hugo Mãe, is currently in distribuition and won several awards. Recently, he co-founded Olhar de Ulisses, a film production company in Porto, in which he is developing several projects in different positions, from production to script writing. 'Light Was A Break', based on the book by Rui Nunes, is his latest film. Currently, he is post-producing his two next short films, making a documentary series on photography and writing his first feature film. He co-founded and works as a director at Pinehouse Concerts.
Assistant Director:
2022 At Sixteen
2024 God-and-a-Half
Color Grading:
2020 Ursula
2022 At Sixteen
2024 God-and-a-Half
Colorist:
2018 Slope
2020 Ursula
2022 At Sixteen
2024 God-and-a-Half
Dialogue:
2018 Slope
2020 Our Kingdom
2020 Ursula
2022 At Sixteen
2024 God-and-a-Half
Director:
2013 Fontelonga
2014 Pena Fria
2017 The Everlasting Man
2018 Slope
2020 Our Kingdom
2020 Ursula
2022 At Sixteen
2022 Saturn
2024 God-and-a-Half
2024 Light Was a Break
Director of Photography:
2013 Fontelonga
2014 Pena Fria
2017 The Everlasting Man
2018 Slope
2020 Our Kingdom
2020 Ursula
2021 Lethes
2022 At Sixteen
2022 Saturn
2024 God-and-a-Half
2024 Light Was a Break
Editor:
2013 Fontelonga
2014 Pena Fria
2017 The Everlasting Man
2018 Slope
2020 Our Kingdom
2020 Ursula
2021 Lethes
2022 At Sixteen
2022 Saturn
2023 Espinho
2023 Maria
2024 God-and-a-Half
2024 Light Was a Break
Line Producer:
2013 Fontelonga
2014 Pena Fria
2017 The Everlasting Man
2018 Slope
2020 Our Kingdom
2020 Ursula
2021 Lethes
2022 At Sixteen
2022 Saturn
2023 Espinho
2023 Maria
2024 God-and-a-Half
2024 Light Was a Break
Producer:
2013 Fontelonga
2014 Pena Fria
2017 The Everlasting Man
2018 Slope
2020 Our Kingdom
2020 Ursula
2021 Lethes
2022 At Sixteen
2022 Saturn
2023 Espinho
2023 Maria
2024 Cul-de-sac
2024 God-and-a-Half
2024 Light Was a Break
2024 That's How I Love You
Screenplay:
2013 Fontelonga
2014 Pena Fria
2017 The Everlasting Man
2018 Slope
2020 Our Kingdom
2020 Ursula
2021 Lethes
2022 At Sixteen
2022 Saturn
2023 Espinho
2023 Maria
2024 Cul-de-sac
2024 God-and-a-Half
2024 Light Was a Break
2024 That's How I Love You
Writer:
2013 Fontelonga
2014 Pena Fria
2017 The Everlasting Man
2018 Slope
2020 Our Kingdom
2020 Ursula
2021 Lethes
2022 At Sixteen
2022 Saturn
2023 Espinho
2023 Maria
2024 Cul-de-sac
2024 God-and-a-Half
2024 Light Was a Break
2024 That's How I Love You
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.