A work in constant progress (and occasional regress).
Birthplace:
Parsons Green, London, England, UK
Born:
January 1, 1960
Martin Bishop traded in his role as an industry bigwig to follow his dreams of making it as an actor. Any manual on writing movie scripts will tell you that somewhere in the first few minutes you need a Big Event, an upheaval that tips the balance and sends the characters marching off into the story. For Martin Bishop the Big Event came in April 2002. Then he was the chairman of QS firm Franklin + Andrews, negotiating an historic merger with engineering firm Mott MacDonald. The deal was due to be completed on the 19th, but last-minute complications arose. It was a tense time for Bishop. On the 21st, a major artery in his neck decided to down tools and he found himself flat on his back in a hospital bed. He was OK, although he had to play his part in finishing negotiations by telephone from his hospital bed. Back on his feet in a few days, he showed up at the new company for his new job – as global head of customer service – and realised he wasn't up for it. He resigned. Bishop had always been a keen amateur actor, taking many lead roles, latterly at the drama society at London's Hurlingham Club. Also, he'd always wondered how things might have been after schoolmate Kevin Whately (aka Lewis in Inspector Morse) switched to acting after a couple of years as an accountant. So, with Death's breath still chilly on his shoulder, it seemed natural to enrol at the GSA Conservatoire (formerly the Guildford School of Acting). His television credits include roles in The Fugitives, Urban Legends, Brief Encounters, The Crown, Doctors, Belgravia, Optimisty:Karibskly sezon, The Nevers, Ted Lasso, The Sandman, Dangerous Liaisons, The Flatshare, Renegade Nell and EastEnders. Film roles include Legend, Mum's List, Wonder Woman, The Mummy, Holmes & Watson, Mr. Jones, Once Upon a Time in London, The Hustle, Maleficent: Mistress of Evil, Breaking Infinity, Hitmen and Red, White & Royal Blue. On stage, he appeared in productions of Macbeth, As You Like It, She Stoops to Conquer, The Confidential Clerk, A Christmas Carol, The Browning Version, Swan Song, Sam, The Highest Jumper of Them All, The Scottsboro Boys, The Rivals and Curtains.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.