A work in constant progress (and occasional regress).
Adam Falkoff is a founding partner and Co-Chairman of Circle 4 Entertainment, an independent financing and production company with close relationships to distributors and the major entertainment studios. The company has become a leader in the independent film space featuring a collection of award winning, inspiring films on determination, grit and achieving the American Dream. Circle 4 Entertainment continually seeks out new and interesting commercial full feature length film projects and currently has four additional films in development and three in pre-production. Mr. Falkoff has produced, directed, and acted in theatrically released films generating millions of dollars in box office revenues. With all-star casts, Circle 4 Entertainment films have won multiple 'Best Picture' and 'Best Director' awards and have been the 'Best in Show' headline films in over a dozen film festivals, including part of the "Top 10" most downloaded films on Amazon Prime. His films include, Walt Before Mickey (2015), Swing State (2016), New Life (2016), The Brawler (2018), Stowaway (2019), and Honest Thief (2019). Mr. Falkoff and his team were invited to The White House to meet President Obama and screen Walt Before Mickey - a film whose central theme is immigrant perseverance and successfully achieving the American Dream. They were also invited by the US Congress to screen the film in the Capitol Building. Mr. Falkoff is a member of The Collective, an organization dedicated to driving social change through film and technology. The Collective is comprised of leaders in entrepreneurship, film, music, business, technology, philanthropy, and other creative endeavors meeting annually at the Sundance Film Festival in Park City, Utah. He lends his philanthropic expertise and mentorship to a Washington, D.C.- based nonprofit organization that provides young aspiring filmmakers in the inner city with educational and financial resources. Mr. Falkoff is also the President and a Principal of CapitalKeys - regarded as one of the top global strategy and public affairs firms. While at CapitalKeys, among a variety of clients, he works on intellectual property issues of critical importance to the major film studios and represents foundations for actors seeking to continually raise awareness of their causes within the public policy space. Adam Falkoff was featured in the "Power 100 List", a list of the 100 most powerful people in Washington, DC in the May, 2017 publication of Washington Life Magazine and again in the May 2018 publication. Earlier in his career, Mr. Falkoff served two U.S. Senators on Capitol Hill and a former Vice President of the United States.
Co-Executive Producer:
2015 Walt Before Mickey
Executive Producer:
2015 Walt Before Mickey
2016 New Life
2017 Swing State
2020 Wander
Producer:
2015 Walt Before Mickey
2016 New Life
2017 Swing State
2019 The Brawler
2020 Wander
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.