David Muir

Gallery Unavailable

Additional information:

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Additional Photography:
1968  Joanna

Camera Operator:
1959  Canberra Today and Tomorrow
1963  Francis Bacon: Paintings 1941 - 1962
1966  Turner
1968  Joanna

Cinematography:
1959  Canberra Today and Tomorrow
1960  David And Jennifer Learn Their Kerb Drill
1963  Francis Bacon: Paintings 1941 - 1962
1964  Faces of Harlow
1964  I Think They Call Him John
1966  Turner
1967  Opus
1968  Joanna

Director:
1959  Canberra Today and Tomorrow
1960  David And Jennifer Learn Their Kerb Drill
1963  Francis Bacon: Paintings 1941 - 1962
1964  Faces of Harlow
1964  I Think They Call Him John
1966  Turner
1967  Opus
1968  Joanna
1983  It Is of Eden I Was Dreaming
2014  It's Who We Are: Celebrating 20 Years of the Jewish Lesbian Group of Victoria

Director of Photography:
1959  Canberra Today and Tomorrow
1960  David And Jennifer Learn Their Kerb Drill
1963  Francis Bacon: Paintings 1941 - 1962
1964  Faces of Harlow
1964  I Think They Call Him John
1964  Scene Nun, Take One
1966  Turner
1967  Opus
1968  Joanna
1968  Separation
1970  Mumsy, Nanny, Sonny & Girly
1970  My Lover, My Son
1970  Scruggs
1971  And Now for Something Completely Different
1971  Lust for a Vampire
1972  Neither the Sea Nor the Sand
1973  Boesman and Lena
1983  It Is of Eden I Was Dreaming
2014  It's Who We Are: Celebrating 20 Years of the Jewish Lesbian Group of Victoria

Writer:
1959  Canberra Today and Tomorrow
1960  David And Jennifer Learn Their Kerb Drill
1963  Francis Bacon: Paintings 1941 - 1962
1964  Faces of Harlow
1964  I Think They Call Him John
1964  Scene Nun, Take One
1966  Turner
1967  Opus
1968  Joanna
1968  Separation
1970  Mumsy, Nanny, Sonny & Girly
1970  My Lover, My Son
1970  Scruggs
1971  And Now for Something Completely Different
1971  Lust for a Vampire
1972  Neither the Sea Nor the Sand
1973  Boesman and Lena
1983  It Is of Eden I Was Dreaming
2014  It's Who We Are: Celebrating 20 Years of the Jewish Lesbian Group of Victoria

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.