A work in constant progress (and occasional regress).
Cedric Nairn‑Smith is a British film and television editor. He began his career in the industry in the early 2000s, working as a production assistant and apprentice editor on major Hollywood films, including Gone in 60 Seconds (2000), The Sum of All Fears (2002), and Terminator 3: Rise of the Machines (2003). Over time, he advanced to assistant editor on blockbusters like Mission: Impossible III (2006) and Live Free or Die Hard (2007). Nairn‑Smith earned his first solo editing credit with the A&E thriller series Bates Motel, transitioning from assistant editor to full editor between 2015 and 2017. He subsequently became known for editing episodes of several acclaimed television series, including Amazon Prime's The Boys (2019–2020), Apple TV+'s Home Before Dark (2020), and Stephen King's Lisey's Story (2021) for Apple TV+. In 2022, Nairn‑Smith joined the editorial team of Marvel Studios' Moon Knight, working alongside editors Joan Sobel and Ahmed Hafez to craft the six-episode limited series.
Assistant Editor:
2003 Terminator 3: Rise of the Machines
2005 Coach Carter
2005 The Honeymooners
2006 Mission: Impossible III
2007 Live Free or Die Hard
2012 A Thousand Words
Editor:
2003 Terminator 3: Rise of the Machines
2005 Coach Carter
2005 The Honeymooners
2006 Mission: Impossible III
2007 Live Free or Die Hard
2012 A Thousand Words
2018 Chiefs
First Assistant Editor:
2003 Terminator 3: Rise of the Machines
2005 Coach Carter
2005 The Honeymooners
2006 Mission: Impossible III
2007 Live Free or Die Hard
2012 A Thousand Words
2013 The Story of Luke
2018 Chiefs
???? Weekends at Bellevue
Production Assistant:
1998 The Odd Couple II
1999 The General's Daughter
2000 Gone in Sixty Seconds
2003 Terminator 3: Rise of the Machines
2005 Coach Carter
2005 The Honeymooners
2006 Mission: Impossible III
2007 Live Free or Die Hard
2012 A Thousand Words
2013 The Story of Luke
2018 Chiefs
???? Weekends at Bellevue
Visual Effects Assistant Editor:
1998 The Odd Couple II
1999 The General's Daughter
2000 Gone in Sixty Seconds
2003 Terminator 3: Rise of the Machines
2005 Coach Carter
2005 The Honeymooners
2006 Mission: Impossible III
2007 Live Free or Die Hard
2010 Alice in Wonderland
2012 A Thousand Words
2013 The Story of Luke
2018 Chiefs
???? Weekends at Bellevue
Additional Editor:
2013 Bates Motel
2013 Lucky 7
2016 Outcast
2016 Shut Eye
Assistant Editor:
2001 Smallville
2010 Hawaii Five-0
2010 Rizzoli & Isles
2012 Longmire
2012 Revolution
2013 Bates Motel
2013 Lucky 7
2014 The Divide
2015 Into the Badlands
2016 Outcast
2016 Shut Eye
Editor:
2001 Smallville
2010 Hawaii Five-0
2010 Rizzoli & Isles
2012 Longmire
2012 Revolution
2013 Bates Motel
2013 Lucky 7
2014 The Divide
2015 Into the Badlands
2016 Outcast
2016 Shut Eye
2017 Mr. Mercedes
2019 The Boys
2020 Home Before Dark
2021 Lisey's Story
2022 Moon Knight
2025 Daredevil: Born Again
2025 Ironheart
First Assistant Editor:
2001 Smallville
2010 Hawaii Five-0
2010 Rizzoli & Isles
2012 Longmire
2012 Revolution
2013 Bates Motel
2013 Lucky 7
2014 The Divide
2015 Into the Badlands
2016 Outcast
2016 Shut Eye
2017 Mr. Mercedes
2019 The Boys
2020 Home Before Dark
2021 Lisey's Story
2022 Moon Knight
2025 Daredevil: Born Again
2025 Ironheart
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.