Cedric Nairn-Smith

Cedric Nairn‑Smith is a British film and television editor. He began his career in the industry in the early 2000s, working as a production assistant and apprentice editor on major Hollywood films, including Gone in 60 Seconds (2000), The Sum of All Fears (2002), and Terminator 3: Rise of the Machines (2003). Over time, he advanced to assistant editor on blockbusters like Mission: Impossible III (2006) and Live Free or Die Hard (2007).  Nairn‑Smith earned his first solo editing credit with the A&E thriller series Bates Motel, transitioning from assistant editor to full editor between 2015 and 2017. He subsequently became known for editing episodes of several acclaimed television series, including Amazon Prime's The Boys (2019–2020), Apple TV+'s Home Before Dark (2020), and Stephen King's Lisey's Story (2021) for Apple TV+.  In 2022, Nairn‑Smith joined the editorial team of Marvel Studios' Moon Knight, working alongside editors Joan Sobel and Ahmed Hafez to craft the six-episode limited series.

Additional information:

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Additional Editor:
2013  Bates Motel
2013  Lucky 7
2016  Outcast
2016  Shut Eye

Assistant Editor:
2001  Smallville
2010  Hawaii Five-0
2010  Rizzoli & Isles
2012  Longmire
2012  Revolution
2013  Bates Motel
2013  Lucky 7
2014  The Divide
2015  Into the Badlands
2016  Outcast
2016  Shut Eye

Editor:
2001  Smallville
2010  Hawaii Five-0
2010  Rizzoli & Isles
2012  Longmire
2012  Revolution
2013  Bates Motel
2013  Lucky 7
2014  The Divide
2015  Into the Badlands
2016  Outcast
2016  Shut Eye
2017  Mr. Mercedes
2019  The Boys
2020  Home Before Dark
2021  Lisey's Story
2022  Moon Knight
2025  Daredevil: Born Again
2025  Ironheart

First Assistant Editor:
2001  Smallville
2010  Hawaii Five-0
2010  Rizzoli & Isles
2012  Longmire
2012  Revolution
2013  Bates Motel
2013  Lucky 7
2014  The Divide
2015  Into the Badlands
2016  Outcast
2016  Shut Eye
2017  Mr. Mercedes
2019  The Boys
2020  Home Before Dark
2021  Lisey's Story
2022  Moon Knight
2025  Daredevil: Born Again
2025  Ironheart

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.