Guo Yiwen (b. 1931)

Alias:
Guo Yi-Wen
Го И-вэнь
Го Ивэнь
И-вэнь Го
Ивэнь Го
郭艺文
郭藝文

Birthplace:
Weixian, Shandong, China

Born:
September 23, 1931

Guo Yiwen is from Qianhetao Village, Weixian County, Shandong Province. In 1944, she went to the Rizhao Eighth Route Army Anti-Japanese Base in Shandong with his mother. In 1945, she joined the Eighth Route Army and served as a member of the Luzhong Second Army Division Propaganda Team. In 1947, she was re-designated as a member of the Eighth Column Cultural Workers Regiment of the Third Field Army of the Chinese People's Liberation Army. She later served as the captain and actor of the Drama Team of the Twenty-Sixth Army. In 1950, she went to the North Korean front with the Chinese People's Volunteer Army, and served as the captain and actor of the 26th Army Cultural Regiment. Returned to China in 1952. In the same year, she entered the actor class of Beijing Film School to study in a transfer system and mastered the theory of film performance systematically. After graduating in 1953, she was assigned to be an actress in the Beijing Film Actors Theatre. Played Zhang Guirong in the graduation show "Women's Representative". In 1954, he participated in the filming of "Shajiadian Grain Station" and played Shi Lanying. The performance was successful. In 1955 he was transferred to Changchun Film Studio as an actress. Since then, she has successively filmed films such as "Riding the Sea in Anger", "Mom Wants Me to Get Married", "Ten o'clock on National Day", "Changed the World", "Red Plum Blossom" and other films. In "Changing the World", she plays Wei Xiulan, a heroine who has experienced ups and downs. Her performance captures the psychological changes of the character in different periods and is really moving. In 1963 he was transferred to the Pearl River Film Studio as an actress.

Additional information:

The Search Form


Editor:
2017  Hanson and the Beast

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.